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Voyeuristic gaze, narratological construction, and the gender problem in Murakami Haruki’s After Dark
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2 |
Queering Hong Kong’s 1997 Handover in Japanese Boys’ Love Comics
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Politics in/of transmediality in Murakami Haruki’s bakery attack stories
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8 |
Gender and national image: representations of figure skating in Japanese Anime
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9 |
The problem of tatemashi in Murakami Haruki’s work: comparing The Wind-Up Bird Chronicle and 1Q84
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10 |
Beyond the spoon-feeding classroom: a Jesuit Priest’s use of outings as holistic education
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11 |
Might the translated not travel? The case of Chang Hsi-kuo and his The City Trilogy
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12 |
A minor literature(?) at interregnum: whither Hong Kong’s English writing?
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13 |
Teaching Manga as a phenomenon of global commodity production and consumption
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16 |
Politics of Transmediality in Murakami Haruki’s Bakery Attack Stories
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18 |
The world at the East’s fingertips: world literature in East Asia
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19 |
Who’s the Egg? Who’s the Wall? – Appropriating Murakami Haruki’s ‘Always on the Side of the Egg’ speech in Hong Kong
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20 |
The peripherality of Hong Kong in Postcolonial Studies and World-Systems Theory
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