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The representation of Islam and Islamic culture in realist and magical realist contemporary literature: a cultural critique of Western representation of Islam
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The Ainu in documentary films: promiscuous iconography and the absent image
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Current challenges of language policy and planning for international organisations
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Academic texts in motion: a text history study of co-authorship interactions in writing
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Helping EAL academics navigate asymmetrical power relations in co-authorship: research-based materials for ERPP workshops
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Defining ‘Normal’: methodological issues in Aphasia and intelligence research
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Research on emotions in second language acquisition: reflections on its birth and unexpected growth
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The militant historian: the concept of history in the work of Alain Badiou
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The presence of an absence: framing capital in Mercado de futuros (Mercedes Álvarez, 2011), La mano invisible (David Macián, 2016) and Cerca de tu casa (Eduard Cortés, 2016)
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Abstract:
While the extensive bibliography devoted to Spanish austerity cinema always mentions the global dimension of the 2008 financial crisis, it tends to centre on representations of a suffering population, Spanish politics or the legacy of the Transition to democracy. This article adds to this field by emphasizing a different aspect of this cinema’s critical intent in three case studies. Here Fredric Jameson’s concept of cognitive mapping is invoked to argue that Mercado de futuros (Mercedes Álvarez, 2011), La mano invisible (David Macián, 2016) and Cerca de tu casa (Eduard Cortés, 2016) are concerned with exposing capitalism’s responsibility for creating the crisis and proposing alternatives and critical responses to it. These three films synecdochally identify housing, labour relations and the Media as ideal battlegrounds on which to confront capital, while presenting affect as an asset open for all contenders to activate. All three films deny capital the status of an unappealable totality: Mercado alludes to a world beyond capitalism while Mano and Cerca adduce populist antagonisms to its long-standing hegemony. Through differing approaches, these texts reveal their vocation as cinematic critical pedagogies, producing political subjects onscreen in order to generate them in an array of offscreen contexts.
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Keyword:
Cultures & Applied Linguistics (from 2021); Languages
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URL: https://eprints.bbk.ac.uk/id/eprint/48083/1/48083.pdf
https://eprints.bbk.ac.uk/id/eprint/48083/
https://www.intellectbooks.com/studies-in-spanish-latin-american-cinemas
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Implicit Instruction of Direct and Indirect Object Pronouns in Spanish through Technology-Mediated Task-Based Language Teaching
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Experiment 2: Jury Suggestibility: The Effect of Judicial Instruction on Juror’s use of Covert Recording Transcripts ...
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Production of third-person singular–s and be copula in communication tasks by Vietnamese EFL learners: Acquisition order and learner orientation to form. ...
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5. ELA - Erfassung früher türkisch-deutscher Literalität ... : Handreichung als Anleitung für die Verwendung des Auswertungsinstruments ...
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2. ELA - Erfassung früher türkisch-deutscher Literalität ... : Bildimpuls für die Erhebung von Schreibproben ...
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1. ELA - Erfassung früher türkisch-deutscher Literalität ... : Arbeitsmaterialien, Eckdaten und Projektinformation ...
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