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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5...11 Hits 1 – 20 of 213 1 Bergson's boffo laughter Flaig, Paul. - 2022 BASE Show details 2 Spectatrices: Moviegoing and Women's Writing, 1925-1945 Gear, Nolan Thomas. - 2021 BASE Show details 3 ‘Americanism in action’ : the 1920s epic western and Hollywood historical cinema Adamson, Patrick. - : University of St Andrews, 2021. : The University of St Andrews, 2021 BASE Show details 4 Superstar to Superhuman: Scarlett Johansson, an ‘Ideal’ Embodiment of the Posthuman Female in Science Fiction and Media? Kidd, Abby Lauren. - : Cardiff University Press, 2021 BASE Show details 5 Superstar to superhuman: Scarlett Johansson, an ‘ideal’ embodiment of the Posthuman female in science fiction and media? Kidd, Abby Lauren. - : Cardiff University Press, 2021 BASE Show details 6 The Cinema of Social Dreamers: Artists and Their Imaginations Return to the Caribbean Espert, Yasmine. - 2020 BASE Show details 7 ‘Americanism in action’ : the 1920s epic western and Hollywood historical cinema ... Adamson, Patrick. - : University of St Andrews, 2020 BASE Show details 8 Change, horizon, and event in Ozu's Late Spring (1949) Parks, Tyler. - 2020 BASE Show details 9 Aproximación neurocinemática al corte como articulador fílmico Sanz, Javier, 1983-. - : Universitat de Barcelona, 2020 In: TDX (Tesis Doctorals en Xarxa) (2020) BASE Show details 10 Aproximación neurocinemática al corte como articulador fílmico Sanz, Javier, 1983-. - : Universitat de Barcelona, 2020 BASE Show details 11 Cinematic equivalence in subtitling : a case study of the biographical drama Forever Enthralled Wang, Kenny (R14429); Han, Chong (R15383). - : U.S., Scholink, 2020 BASE Show details 12 From the perspective of the object in semiotics : Deleuze and Peirce Dawkins, Roger (R17765). - : Germany, De Gruyter Mouton, 2020 BASE Show details 13 A social constructionist approach to female entrepreneurs' media representation and experiences in Saudi Arabia Sonbol, Deema. - 2020 BASE Show details 14 Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema Palanti, Alessia. - 2019 BASE Show details 15 Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema ... Palanti, Alessia. - : Columbia University, 2019 BASE Show details 16 ‘I wouldn’t trust no words written down on no piece of paper’: Jim Jarmusch’s Dead Man, Jacques Derrida and the critique of logocentrism Evelina, Kazakeviciute. - : Cardiff University, 2019 BASE Show details 17 Essay film as a dialogical form Önen, Naz. - : Cardiff University, 2019 BASE Show details 18 'English, motherfucker, do you speak it?': Pulp Fiction and the future of film-philosophy Barrowman, Kyle. - : Cardiff University, 2019 BASE Show details 19 Mapping subtext by using thematic coordinates Braga, Paolo. - : Cardiff University, 2019 BASE Show details 20 Subtitle assessment at SBS TV Australia : application of the FAR model Han, Jing (R13238). - : Sweden, Stockholm University, 2019 BASE Show details Page: 1 2 3 4 5...11

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