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1
Domestic Ubimus
In: EISSN: 2409-9708 ; EAI Endorsed Transactions on Creative Technologies ; https://hal-hprints.archives-ouvertes.fr/hprints-03602695 ; EAI Endorsed Transactions on Creative Technologies, EAI - European Alliance for Innovation, 2022, ⟨10.4108/eai.22-2-2022.173493⟩ (2022)
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2
"Armato di carnagione": Chromatic Regimes of Racial Profiling in the Italian Press
In: Pesquisa em comunicação: jornalismo, raça e gênero ; https://hal.archives-ouvertes.fr/hal-03135243 ; Francielle Maria Modesto Mendes; Francisco Aquinei Timóteo Queirós; Wagner da Costa Silva. Pesquisa em comunicação: jornalismo, raça e gênero, Nepan Editora, 2021, 978-65-89135-20-3 (2021)
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3
Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021) ; Anais do XI Workshop de Música Ubíqua (UbiMus 2021)
Bernardes, Gilberto; Magalhães, Eduardo; Messina, Marcello. - : HAL CCSD, 2021. : g-ubimus, 2021
In: https://hal.archives-ouvertes.fr/hal-03368232 ; g-ubimus, 2021, 978-65-00-30880-8 ; https://dei.fe.up.pt/ubimus/ (2021)
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4
Gastrossônica: Desenvolvimento do suporte ubimus para atividades musicais gastronômicas
In: Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021) ; https://hal.archives-ouvertes.fr/hal-03368452 ; Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021), Sep 2021, Matosinhos, Portugal. pp.160-171 ; https://dei.fe.up.pt/ubimus/ (2021)
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5
Live Coding on Orca, the Geopolitics of the English Language and the Limits of Creative Semantic Anchoring: A Preliminary Hypothesis
In: Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021) ; https://hal.archives-ouvertes.fr/hal-03368436 ; Proceedings of the 11th Workshop on Ubiquitous Music (UbiMus 2021), Sep 2021, Matosinhos, Portugal. pp.57-61 ; https://dei.fe.up.pt/ubimus/ (2021)
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6
Ubiquitous Music Activities and its Technologies ; Atividades Musicais Ubíquas e suas Tecnologias
In: Artes em tempos de pandemia: Anais do X Seminário Ibero-Americano sobre o Processo de Criação nas Artes ; https://hal-hprints.archives-ouvertes.fr/hprints-03037174 ; Artes em tempos de pandemia: Anais do X Seminário Ibero-Americano sobre o Processo de Criação nas Artes, Dec 2020, Vitória, Brazil. pp.470-478 (2020)
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7
Editorial: Ubiquitous Music Making in COVID-19 Times
In: Proceedings of the 10th Workshop on Ubiquitous Music (UbiMus 2020) ; https://halshs.archives-ouvertes.fr/halshs-03035034 ; Proceedings of the 10th Workshop on Ubiquitous Music (UbiMus 2020), Nov 2020, Porto Seguro, Brazil (2020)
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8
Live patching and network interaction: An intercontinental practical approach with Kiwi ; Live Patching e Interação Remota: Uma Abordagem Pratica Intercontinental com Kiwi
In: ISSN: 2184-3120 ; International Journal of Digital Media & Interaction ; https://hal.archives-ouvertes.fr/hal-03415321 ; International Journal of Digital Media & Interaction, DigiMedia - Digital Media and Interaction Research Center, 2020, 3 (5), pp.102-116 (2020)
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9
Contracapas for remote double bass and effects: Creative Semantic Anchoring, Corpus Linguistics and Remote Interaction ...
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10
Contracapas for remote double bass and effects: Creative Semantic Anchoring, Corpus Linguistics and Remote Interaction ...
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11
A CANÇÃO DE PROTESTO "LATINO"-AMERICANA DAS DÉCADAS DE 60 E 70: TRÂNSITOS E DISSOLUÇÕES FRONTEIRIÇAS
In: Anais da XIII Jornadas Andinas de Literatura Latinoamericanas ; https://hal-hprints.archives-ouvertes.fr/hprints-01967991 ; Anais da XIII Jornadas Andinas de Literatura Latinoamericanas, Aug 2018, Rio Branco, Brazil (2018)
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12
SIMA 2017: Anais do VI Simpósio Internacional de Música na Amazônia
Cordeiro, Emanuel; Keller, Damián; Messina, Marcello. - : HAL CCSD, 2017. : EDITORA DA UNIVERSIDADE FEDERAL DE RORAIMA, 2017
In: VI Simpósio Internacional de Música na Amazônia ; https://hal-hprints.archives-ouvertes.fr/hprints-01985312 ; VI Simpósio Internacional de Música na Amazônia, Nov 2017, Macapá, Brazil. EDITORA DA UNIVERSIDADE FEDERAL DE RORAIMA, 2017, SIMA 2017: Anais do VI Simpósio Internacional de Música na Amazônia, (ISSN) 2447-9810 ; http://ufrr.br/sima/index.php/apresentacao (2017)
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13
EXPERIMENTAÇÃO CRIATIVA COM CSOUND exploração, imitação e criação musical no protótipo mixDroid 2G CS
In: SIMA 2017: Anais do VI Simpósio Internacional de Música na Amazônia ; https://hal-hprints.archives-ouvertes.fr/hprints-02021957 ; SIMA 2017: Anais do VI Simpósio Internacional de Música na Amazônia, Nov 2017, Macapá, Brazil (2017)
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14
'Viene Antonio e non rimane niente': sulla rivisitazione della canzone Onda Calabra nel film Qualunquemente
In: Proceeding of the AATI Conference in Napoli [Italy], June 22-25, 2016. Section Literature.AATI Online Working Papers. ISSN: 2475-5427. ; AATI Online Working Papers. ; https://hal-hprints.archives-ouvertes.fr/hprints-01941731 ; AATI Online Working Papers., Jun 2016, Napoli, Italy (2016)
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15
Sdirrubbatu
In: Anais do Simpósio Internacional de Música na Amazônia ; IV Simpósio Internacional de Música na Amazônia (SIMA 2015) ; https://hal-hprints.archives-ouvertes.fr/hprints-01941735 ; IV Simpósio Internacional de Música na Amazônia (SIMA 2015), Nov 2015, Porto Velho, Brazil. pp.17-24 ; https://revista.ufrr.br/sima/article/view/4716/2382 (2015)
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