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‘Word Sound Have Power’: Poetics and Politics in Afro-Caribbean Poetry and Popular Music
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In: Séminaire CECILLE Poïétique et politique / Politique de la littérature ; https://hal.archives-ouvertes.fr/hal-03457516 ; Séminaire CECILLE Poïétique et politique / Politique de la littérature, Oct 2021, Lille, France (2021)
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"Dis poem is still not written." A Study of Diamesic Variation in Jamaican Dub Poetry
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In: ISSN: 0557-6989 ; Recherches Anglaises et Nord Americaines ; https://hal.archives-ouvertes.fr/hal-03214319 ; Recherches Anglaises et Nord Americaines, Presses Universitaires de Strasbourg, 2020, Internal Variation: A Special Focus on Diamesic Variation, pp.57-67 (2020)
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ʺDis poem is still not writtenʺ: A study of diamesic variation in Afro‐Caribbean oraliterary poetry
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In: Internal Variation ; https://hal.archives-ouvertes.fr/hal-02116625 ; Internal Variation, Dec 2018, Strasbourg, France (2018)
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"Dis poem shall call names names": Naming in reggae culture, the example of dub poetry
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In: ISSN: 0395-6989 ; Commonwealth Essays and Studies ; https://halshs.archives-ouvertes.fr/halshs-01283897 ; Commonwealth Essays and Studies, Société d'étude des pays du Commonwealth, 2013, 36 (1), pp.45-55 (2013)
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Bass Culture: The Politics of Authenticity in the World of Jamaican Sound Systems
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In: The Déjà-Vu and The Authentic: Reprise, Recycling and Recuperating in Anglophone Literature and Culture ; https://halshs.archives-ouvertes.fr/halshs-01278093 ; The Déjà-Vu and The Authentic: Reprise, Recycling and Recuperating in Anglophone Literature and Culture, Cambridge Scholars Publishing, pp.117-124, 2012, 978-1-4438-3929-7 (2012)
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Poet and the Roots: Authenticity in the works of Linton Kwesi Johnson and Benjamin Zephaniah
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In: The Aesthetics of Authenticity: Medial Constructions of the Real ; https://halshs.archives-ouvertes.fr/halshs-01278092 ; The Aesthetics of Authenticity: Medial Constructions of the Real, Transcript Verlag, pp.187-206, 2012, 978-3-8394-1757-7 (2012)
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