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Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
In: CLCWeb: Comparative Literature and Culture (2020)
Abstract: This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.
Keyword: American Studies; and Sexuality Studies; Arts and Humanities; Cinematic Representation Ethnic Minorities Postcolonialism; Comparative Literature; Education; European Languages and Societies; Feminist; film and literature; Film and Media Studies; Gender; Other Arts and Humanities; Other Film and Media Studies; Reading and Language; Rhetoric and Composition; Social and Behavioral Sciences; Television; Theatre and Performance Studies
URL: https://docs.lib.purdue.edu/clcweb/vol22/iss5/8
https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=3826&context=clcweb
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