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Structured speaker variability in Japanese stops: relationships within versus across cues to stop voicing
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Toward “English” phonetics: variability in the pre-consonantal voicing effect across English dialects and speakers
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Toward “English” Phonetics: Variability in the Pre-consonantal Voicing Effect Across English Dialects and Speakers
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In: Front Artif Intell (2020)
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Toward "English" Phonetics: Variability in the Pre-Consonantal Voicing Effect across English Dialects and Speakers
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In: Linguistics Faculty Publications (2020)
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Vowel duration and the voicing effect across English dialects
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In: Toronto Working Papers in Linguistics; Vol 41 No 1 (2019): Proceedings of MOT 2019 ; 1718-3510 ; 1705-8619 (2019)
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| 7 |
Vowel duration and the voicing effect across dialects of English
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| 8 |
Structured Speaker Variability in Spontaneous Japanese Stop Contrast Production
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| 9 |
Production planning and coronal stop deletion in spontaneous speech
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In: Laboratory Phonology: Journal of the Association for Laboratory Phonology; Vol 8, No 1 (2017); 15 ; 1868-6354 (2017)
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| 10 |
Happiness Is a By-Product of Function: William Burroughs and the American Pragmatist Tradition
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| 11 |
A Sensory Tour of Cape Cod: Thoreau's Transcendental Journey to Spiritual Renewal
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| 12 |
Knowing is Seaing: Conceptual Metaphor in the Fiction of Kate Chopin
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| 13 |
"Mislike Me not for My Complexion": Shakespearean Intertextuality in the Works of Nineteenth-Century African-American Women
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Abstract:
Caliban, the ultimate figure of linguistic and racial indeterminacy in The Tempest, became for African-American writers a symbol of colonial fears of rebellion against oppression and southern fears of black male sexual aggression. My dissertation thus explores what I call the "Calibanic Quadrangle" in essays and novels by Anna Julia Cooper, Frances Ellen Watkins Harper, and Pauline Elizabeth Hopkins. The figure of Caliban allows these authors to inflect the sentimental structure of the novel, to elevate Calibanic utterance to what Cooper calls "crude grandeur and exalted poesy," and to reveal the undercurrent of anxiety in nineteenth-century American attempts to draw rigid racial boundaries. The Calibanic Quadrangle enables this thorough critique because it allows the black woman writer to depict the oppression of the "Other," southern fears of black sexuality, the division between early black and white women's issues, and the enduring innocence of the progressive, educated, black female hero ~ all within the legitimized boundaries of the Shakespearean text, which provides literary authority to the minority writer. I call the resulting Shakespearean intertextuality a Quadrangle because in each of these African-American works a Caliban figure, a black man or "tragic mulatto" who was once "petted" and educated, struggles within a hostile environment of slavery and racism ruled by the Prospero figure, the wielder of "white magic," who controls reproduction, fears miscegenation, and enforces racial hierarchy. The Miranda figure, associated with the womb and threatened by the specter of miscegenation, advocates slavery and perpetuates the hostile structure. The Ariel figure, graceful and ephemeral, usually the "tragic mulatta" and a slave, desires her freedom and complements the Caliban figure. Each novel signals the presence of the paradigm by naming at least one character from The Tempest (Caliban in Cooper's A Voice from the South; "Mirandy" in Harper's Iola Leroy; Prospero in Hopkins's Contending Forces; and Ariel in Hopkins's Hagar's Daughter).
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Keyword:
1564-1616 -- Influence; 1564-1616. -- Tempest; African Americans; African Americans in literature; American fiction -- 19th century -- History and criticism; American fiction -- African American authors -- History and criticism; American fiction -- Women authors -- History and criticism; Caliban; Caliban (Fictitious character); Shakespeare; William; women; Women and literature -- United States -- History -- 19th century; writers
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URL: https://digital.library.unt.edu/ark:/67531/metadc278175/
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| 14 |
The Dostoevskyan Dialectic in Selected North American Literary Works
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| 15 |
Whitman's Failures: "Children of Adam" in the Light of Feminist Ideals
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