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Cold War Crossings: Border Poetics in Postwar German and Polish Literature
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| 2 |
Cold War Crossings: Border Poetics in Postwar German and Polish Literature ...
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| 3 |
Revisiting "Home" in Ghanaian Poetry: Awoonor, Anyidoho and Adzei
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 4 |
Radical Social Ecology as Deep Pragmatism: A Call to the Abolition of Systemic Dissonance and the Minimization of Entropic Chaos
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In: Student Theses 2015-Present (2018)
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| 5 |
Pre-Service Teachers’ Perspectives on How the Use of TOON Comic Books during Guided Reading Influenced Learning by Struggling Readers
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In: SANE journal: Sequential Art Narrative in Education (2018)
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| 6 |
JAPANESE LANGUAGE STUDENTS’ PERCEPTION OF USING ANIME AS A TEACHING TOOL
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In: Indonesian Journal of Applied Linguistics, Vol 7, Iss 1, Pp 93-104 (2017) (2017)
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| 7 |
The Cultural Translation of Ginsberg's Howl in Turkey
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In: CLCWeb: Comparative Literature and Culture (2016)
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| 8 |
How Burroughs Plays with the Brain, or Ritornellos as a Means to Produce Déjà-Vu
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In: CLCWeb: Comparative Literature and Culture (2016)
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| 9 |
Positions of Sinophone Representation in Jin's (金庸) Chivalric Topography
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In: CLCWeb: Comparative Literature and Culture (2015)
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| 10 |
Healing Our Race-Linked Wounds
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In: Carroy U "Cuf" Ferguson, Ph.D. (2015)
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| 11 |
Revision in the Multiversity: What Composition Can Learn from the Superhero
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In: SANE journal: Sequential Art Narrative in Education (2015)
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| 12 |
It’s the Organization, not the Zombies: A Critical Organizational Interrrogation of Cabin in the Woods
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In: ETSU Faculty Works (2014)
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| 13 |
Gender Identity Construction through Talk about Video Games
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In: CLCWeb: Comparative Literature and Culture (2014)
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| 14 |
Transnational Crime Fictions and Argentina's Criminal State
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In: Caballero, Juan. (2013). Transnational Crime Fictions and Argentina's Criminal State. UC Berkeley: Comparative Literature. Retrieved from: http://www.escholarship.org/uc/item/8wd0d8hz (2013)
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| 15 |
Tr*nnychasers (film)
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In: Tr*nnychasers: A Skateboard Roadtrip (2006) (2007)
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Abstract:
Note: According to the film, "In Skateboarding lingo, 'Tranny' refers to the radial curve between a horizontal and vertical plain." The usage of this term has become controversial in the skating community in the 21st century due to its more common use in mainstream culture as a slur targeting individuals who identify as transgender. In the context of this film, the term "Tranny" is not intended as a slur. Please continue reading for further context. Film Description: Two queer, androgynous best friends embark on a 5000 mile skateboad road trip across the Western United State in search of concrete bowls and what it means to be a queer skater in a deeply homophobic culture. Travis Clough got his first skateboard at age 12 after seeing the movie Gleaming the Cube and becoming obsessed. Growing up a skater in Maine in the early 90's (and the only girl) meant practicing ollies in the living room waiting for the snow to melt, creating your own skate parks out of tall curbs and rickety wooden ramps, and in general, endlessly being tormented by the question: "Are you a boy or a girl". Eventually, Travis moved to Gunninson, CO where he learned to skate bowls, and then Boston, MA, where for the first time in his life, met another skater who was a tomboy, queer and androgynous: Tam Willey. In 2006, Travis relocated to San Fransisco to work on the queer film Maggots & Men. Tam flew to SF to meet Travis and they embarked on their 14 day journey across the Western United States from San Juan Island in Washington to Grand Canyon in Arizona and beyond. Travis recently moved back to Maine and is now a Registered Maine Guide. Tam Willey (they,she,he) is a self employed gender liminal adventurer based in Boston, Massachusetts. Skate culture was the first place they found a home but despite finding a chosen family of punk misfits, Tam never quite truly felt comfortable and able to be themself until meeting Travis at a skatepark and discovering that there were "others" like them and that is was possible to both be a skateboarder and a queer person. Building ramps and finding magic in the shadows of the dominant stories of the tamed world is Tam's bread and butter. Tam has since traded their skateboard in for a surfboard and seeks new ways of connecting as a forest therapy guide. ; https://digitalcommons.usm.maine.edu/lgbt_chasersfilm/1000/thumbnail.jpg
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Keyword:
2000s; American Art and Architecture; American Film Studies; American Popular Culture; American Studies; and Archaeology; and Cultures; and Deviance; and Ecology; and Ethnicity in Communication; and Sexuality Studies; and Transgender Studies; androgynous; androgyny; Anthropological Linguistics and Sociolinguistics; Architecture; Arizona; Bisexual; Broadcast and Video Studies; Comparative and Historical Linguistics; Creative Writing; Crime; Critical and Cultural Studies; Cultural History; Demography; Digital Humanities; English Language and Literature; Feminist; Film and Media Studies; Folklore; Gay; Gender; Gender and Sexuality; Grand Canyon; History of Gender; Human Geography; Inequality and Stratification; Interdisciplinary Arts and Media; Interpersonal and Small Group Communication; Journalism Studies; Language Interpretation and Translation; Las Vegas; Law; Leisure Studies; Lesbian; LGBTQ; Linguistic Anthropology; Modern Languages; Music; Nature and Society Relations; Nonfiction; Oral History; Other American Studies; Other Anthropology; Other Communication; Other English Language and Literature; Other Feminist; Other Film and Media Studies; Other Geography; Other History; Other History of Art; Other Languages; Other Linguistics; Other Music; Other Social and Behavioral Sciences; Other Sociology; Politics and Social Change; Popular Culture; Population; Public History; Race; Race and Ethnicity; Regional Sociology; Road Trip; Sexuality; Skate Culture; Skateboard; Social and Cultural Anthropology; Social Control; Social History; Societies; Sociology of Culture; Sports Studies; Syntax; Tourism; trans; trans culture; transgender; United States History; Visual Studies
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URL: https://digitalcommons.usm.maine.edu/lgbt_chasersfilm/1
https://digitalcommons.usm.maine.edu/context/lgbt_chasersfilm/article/1000/type/native/viewcontent
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| 16 |
Levels of Consciousness, Archetypal Energies, and Earth Lessons: An Emerging Worldview
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In: Carroy U "Cuf" Ferguson, Ph.D. (2005)
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| 18 |
The grammar of inalienability : a typological perspective on body part terms and the part-whole relation
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MPI-SHH Linguistik
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