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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 Hits 1 – 20 of 28 1 A deeper "Well of English undefyled" : the role and influence of Anglo-Saxon in nineteenth- and twentieth-century poetry : with particular reference to Hopkins, Pound and Auden Jones, Chris. - : University of St Andrews, 2018. : The University of St Andrews, 2018 BASE Show details 2 'Great words carrying the world': intercultural translation in B. Kojo Laing's 'No Needle in the Sky' Hankinson, J. - 2018 BASE Show details 3 Saillance : la saillance en langue et en discours ; 2 Boisseau, Maryvonne (Hrsg.); Hamm, Albert (Hrsg.). - Besançon : Presses Univ. de Franche-Comté, 2015 BLLDB UB Frankfurt Linguistik Show details 4 Eve Odiorne Sullivan, '62 (BardCorps) Odiorne Sullivan, Eve In: All Oral Histories (2015) BASE Show details 5 Redress as a Construct in Seamus Heaney's Poetry and Prose Macklin, Ruth Elizabeth. - : University of Otago, 2014 BASE Show details 6 Gerald Manley Hopkins and the music of poetry Gutman, Laura A.. - : University of St Andrews, 2012. : The University of St Andrews, 2012 Abstract: This study attempts to correlate two facts about Gerard Manley Hopkins: that he was an avid musician, who theorised about and composed music; and that his poetry is characterised by its highly complex, evocative sounds and by its relation of form to meaning, sound to sense. This study is an attempt to prove that Hopkins is a "musical" poet in a specific and literal sense--that his musical knowledge and interests influenced his poetry in specific and discernible ways, making his work "musical" in a sense that other poetry of his age is not (or to an extent that other poetry is not), and resulting in much of what we consider to be characteristic in his verse. The study is divided into two parts, the first (I-III) analysing the role music plays in his theoretical writings, the second (IV-VI) tracing these musical influences through to the musical and poetic art itself. In Part One, Chapter I presents Hopkins the musician, the biographical details and philosophical background behind his musical interest; Chapter II relates this to Hopkins as priest and theologian, demonstrating music's role as central to his Scotus-based position; Chapter III then shows this musical philosophy in more detail in his theories of language and art, resulting in an ideal art of song epitomised by the art of Hopkins' favourite composer, Henry Purcell. Part Two then looks at Hopkins' art itself, shown as following this Purcellian musical ideal: Chapter IV differentiates the requirements of songs from those of poetry, and demonstrates the particular aims and techniques of Hopkins' own songs; Chapter V reveals principles of musical or song-structure behind Hopkins' concepts of sprung rhythm and other characteristic poetic devices; finally, Chapter VI analyses the poems to discover their radically musical nature. The study concludes with a brief question on the nature of "the music of poetry" generally. Keyword: 1844-1889; Gerard Manley; Hopkins; PR4803.H44Z5G9 URL: http://hdl.handle.net/10023/2625 BASE Hide details 7 Iconicity typological and theological : J. G. Hamann and James Joyce Purdy, Strother B. In: Signergy. - Amsterdam [u.a.] : Benjamins (2010), 269-278 BLLDB Show details 8 Hopkins' rhetoric : between the material and the transcendent Sobolev, Dennis In: Language and literature. - London : Sage 12 (2003) 2, 99-115 BLLDB Show details 9 Linguistic approaches to poetry Michaux, Christine (Hrsg.); Dominicy, Marc (Hrsg.); Pilkington, Adrian (Mitarb.)... In: Belgian journal of linguistics. - Amsterdam [u.a.] : Benjamins 15 (2001), 1-228 BLLDB Show details 10 The notion of person Basham, Charlotte (Hrsg.); Fiksdal, Susan (Hrsg.); Rounds, Patricia L. (Hrsg.)... In: Language sciences. - Amsterdam : Elsevier 21 (1999) 3, 223-369 BLLDB Show details 11 Alliteration and Hopkins's sprung rhythm Wimsatt, James I. In: Poetics today. - Durham, NC : Duke Univ. Press 19 (1998) 4, 531-564 BLLDB Show details 12 Metrical phonology and English verse Mackay, David. - Cambridge, Mass. : MIT, 1997 BLLDB UB Frankfurt Linguistik Show details 13 Variation on a theme: the form of the form as a metaphor in The Windhover Grundy, Peter. - Duisburg : Linguistic Agency, Univ. of Duisburg, 1996 BLLDB UB Frankfurt Linguistik Show details 14 Component analysis and the styles of G.M. Hopkins Arakelian, Paul G. In: Language and literature. - San Antonio, Tex. : Univ. 17 (1992), 121-144 BLLDB Show details 15 Sprung rhythm : the ghost of a prosodic theory Hutchings, Geoffrey In: English studies in Africa. - Abingdon : Routledge, Taylor & Francis Group 34 (1991) 2, 103-113 BLLDB Show details 16 Technological development and writer-subject-reader immediacies Ong, Walter J. In: Oral and written communication. - Newbury Park, Calif. : Sage (1990), 206-215 BLLDB Show details 17 Colour and experience in Nineteenth-century poetry Cronin, Richard. - Basingstoke [u.a.] : Macmillan, 1988 UB Frankfurt Linguistik Show details 18 G.M. Hopkins's contributions to the "English Dialect Dictionary" White, Norman In: English studies. - Abingdon : Routledge, Taylor & Francis Group 68 (1987) 4, 325-335 BLLDB Show details 19 Subject construction as stylistic strategy in Gerard Manley Hopkins' "Thou art indeed just Lord ..." Herman, Vimala In: Lingua e stile. - Bologna : Mulino 22 (1987) 3, 449-468 BLLDB Show details 20 Part 3: Semiotics in text and literature. (Continued) Kanyó, Z. (Mitarb.); Kawamoto, S. (Mitarb.); Kloepfer, R. (Mitarb.)... In: Semiotics unfolding ; 2. - Berlin [u.a.] : Mouton (1984), 873-1049 BLLDB Show details Page: 1 2

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