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1
Extracting Arabic causal relations using linguistic patterns
Meziane, F; Sadek, J. - : ACM Digital Library, 2016
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2
An architecture to support ultrasound report generation and standardisation
Zulkarnain, NZ; Crofts, GS; Meziane, F. - : International Conference on Health Informatics (HEALTHINF), 2015
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3
Getting under the skin-whitening cultures : discourses, rhetoric and representations across text types and media in Taiwan in the early 21st century
Lee, YJ. - 2014
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4
British Chinese short films : challenging the limits of the Sinophone
Willis, ATJ; Chan, F. - : Palgrave Macmillan, 2014
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5
Busting taboos : using idiomatic and linguistic subtleties in undressing questions of sociocultural amorality in Malaysian cinema
Dalan, R. - 2014
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6
Projecting the voice : audience responses to ICT-mediated contemporary opera
Lin, Y; Williams, AE. - : Taylor & Francis, 2014
Abstract: This paper examines how audiences experience live opera performance and the behaviours they exhibit during live-streaming of the performance. It aims to contribute to our understanding of how audiences, who increasingly inhabit an environment saturated with digital media, respond to contemporary opera performance. Based on a comparative study of audience experiences and behaviours during a live opera performance and the streamed opera screening, we investigate whether digital mediation affects audience appreciation, and whether streaming live opera means the same thing to an audience as the unmediated performance. We firstly outline the conception, design and performance of a contemporary opera and its simultaneous streaming to nearby digital screens. Then, we report the evaluation of the project as measured by a mix of qualitative and quantitative methods during the rehearsals, the live performance and the screening. As one of the few social studies of contemporary classical music in Britain, our study of opera audience behaviours sheds light on the challenges and opportunities afforded by digital technologies for opera companies. Understanding how audiences appreciate digital operas offers practical advice on how theatres and opera companies could respond to new forms of digital activities.
Keyword: Digital Technology and the Creative Economy; Media
URL: http://usir.salford.ac.uk/id/eprint/29236/
http://usir.salford.ac.uk/id/eprint/29236/1/digitalopera_shared_manuscript.pdf
https://doi.org/10.1080/13614568.2014.889224
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7
Scottish slang
Scott, MR. - : Routledge, 2014
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8
Computers and learner autonomy : trends and issues
Jarvis, HA. - : British Council, 2013
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9
From computer assisted language learning (CALL) to mobile assisted language use
Jarvis, HA; Achilleos, M. - : TESL-EJ, 2013
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10
Computer assisted language learning (CALL): Asian learners and users going beyond traditional frameworks
Jarvis, HA. - : Asian EFL Journal Press, 2013
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11
French studies : language and linguistics (2010)
Rowlett, PA. - : Maney, 2012
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12
Articulating British Chinese experiences on-screen: 'soursweet' and 'ping pong'
Willis, Andy; Chan, Felicia. - : Intellect, 2012
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13
Blind estimation of reverberation time in classrooms and hospital wards
Kendrick, P; Shiers, N; Conetta, R. - : Elsevier, 2012
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14
The neural string network: An interactive collaborative drawing ‘machine’
Sermon, PS. - 2012
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15
Neural string network at Shanghai University
Sermon, PS. - 2012
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16
Computers and learner autonomy : trends and issues
Jarvis, HA. - : The British Council, 2012
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17
Strange and wondrous words
James, G. - : National Association of Writers in Education, 2011
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18
"Golden venture", National Waterfront Museum, the National Industrial Museum of Wales, Swansea
Randall, J. - 2011
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19
Virtual, phenomenal, real, and mobile
Kreps, DGP. - 2011
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20
Evaluation of human-like anthropomorphism in the context of online bidding and affordances
Murano, P; Holt, PO. - : Journal of Computing, 2011
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