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On Crossing Barriers: Contemporary Caribbean Women Poets in Translation
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In: Coolabah; No 30 (2021): Translation, Poetry and Creative Practice; 23-33 ; 1988-5946 (2021)
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Abstract:
As Luise von Flotow already emphasized more than two decades ago in her work Translation and Gender: Translating in the ‘Era of Feminism’ (1997), often times feminist translators try to assume the responsibility of offering a critical reflection to their readers about their process, diverse methods and philosophies of translation. From our stance as feminist translators, we offer here a critical reflection on the process of collectively translating the bilingual anthology of poetry The Sea Needs No Ornament/ El mar no necesita ornamento (2020), accompanied by a sample of four poems by four of the thirty-three contemporary Caribbean women poets included. In this way, this paper contextualizes and offers a glimpse into the bilingual anthology of contemporary Caribbean women poets we have edited and translated from a feminist as well as a postcolonial perspective.
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Keyword:
Caribbean poetry; cultural studies; poetry; translation; translation as creative practice
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URL: https://revistes.ub.edu/index.php/coolabah/article/view/35004
https://doi.org/10.1344/co20213023-33
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Prácticas feministas y postcoloniales en la traducción colaborativa de poetas mujeres del Caribe insular anglófono e hispanohablante
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In: Mutatis Mutandis: Revista Latinoamericana de Traducción, ISSN 2011-799X, Vol. 13, Nº. 2, 2020, pags. 421-444 (2020)
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