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1
Lexicalization and compositionality of emoji ...
Cohn, Neil; Weissman, Benjamin; Engelen, Jan. - : DataverseNL, 2022
BASE
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2
Meaning above (and in) the head: Combinatorial visual morphology from comics and emoji
Foulsham, Tom; Cohn, Neil. - : Springer Science and Business Media LLC, 2022
BASE
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3
Remarks on Multimodality: Grammatical Interactions in the Parallel Architecture
In: Front Artif Intell (2022)
BASE
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4
Anaphoric distance dependencies in the sequential structure of wordless visual narratives
In: Proceedings of the Annual Meeting of the Cognitive Science Society, vol 43, iss 43 (2021)
BASE
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5
Linguistic Typology of Motion Events in Visual Narratives ...
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6
Linguistic Typology of Motion Events in Visual Narratives ...
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7
Anaphoric distance dependencies in the sequential structure of wordless visual narratives ...
BASE
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8
Anaphoric distance dependencies in the sequential structure of wordless visual narratives ...
BASE
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9
Visual narrative comprehension: Universal or not?
Cohn, Neil. - : Springer US, 2019
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10
When a hit sounds like a kiss: an electrophysiological exploration of semantic processing in visual narrative
BASE
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11
The vocabulary of manga: Visual morphology in dialects of Japanese Visual Language
In: Journal of Pragmatics (JoP) 92 (2016), 17-29
IDS Bibliografie zur Gesprächsforschung
12
Meaning above the head: combinatorial constraints on the visual vocabulary of comics
Cohn, Neil; Murthy, Beena; Foulsham, Tom. - : Routledge, 2016
BASE
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13
Narrative conjunction's junction function: The interface of narrative grammar and semantics in sequential images
In: Journal of Pragmatics (JoP) 88 (2015), 105-132
IDS Bibliografie zur Gesprächsforschung
14
Climbing trees and seeing stars : combinational structure in comics and diverse domains
In: Structures in the mind (Cambridge, Massachusetts, 2015), p. 379-392
MPI für Psycholinguistik
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15
Beyond speech balloons and thought bubbles: The integration of text and image
In: Semiotica. - Berlin ; Boston : De Gruyter Mouton (2013) 197, 35-63
OLC Linguistik
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16
Visual Narrative Structure
In: Cognitive science. - Hoboken, NJ : Wiley-Blackwell 37 (2013) 3, 413-452
OLC Linguistik
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17
The visual language of comics : introduction to the structure and cognition of sequential images
Cohn, Neil. - London [u.a.] : Bloomsbury, 2013
BLLDB
UB Frankfurt Linguistik
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18
Prediction, events, and the advantage of Agents: The processing of semantic roles in visual narrative
BASE
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19
(Pea)nuts and bolts of visual narrative: Structure and meaning in sequential image comprehension
Abstract: Just as syntax differentiates coherent sentences from scrambled word strings, the comprehension of sequential images must also use a cognitive system to distinguish coherent narrative sequences from random strings of images. We conducted experiments analogous to two classic studies of language processing to examine the contributions of narrative structure and semantic relatedness to processing sequential images. We compared four types of comic strips: 1) Normal sequences with both structure and meaning, 2) Semantic Only sequences (in which the panels were related to a common semantic theme, but had no narrative structure), 3) Structural Only sequences (narrative structure but no semantic relatedness), and 4) Scrambled sequences of randomly-ordered panels. In Experiment 1, participants monitored for target panels in sequences presented panel-by-panel. Reaction times were slowest to panels in Scrambled sequences, intermediate in both Structural Only and Semantic Only sequences, and fastest in Normal sequences. This suggests that both semantic relatedness and narrative structure offer advantages to processing. Experiment 2 measured ERPs to all panels across the whole sequence. The N300/N400 was largest to panels in both the Scrambled and Structural Only sequences, intermediate in Semantic Only sequences and smallest in the Normal sequences. This implies that a combination of narrative structure and semantic relatedness can facilitate semantic processing of upcoming panels (as reflected by the N300/N400). Also, panels in the Scrambled sequences evoked a larger left-lateralized anterior negativity than panels in the Structural Only sequences. This localized effect was distinct from the N300/N400, and appeared despite the fact that these two sequence types were matched on local semantic relatedness between individual panels. These findings suggest that sequential image comprehension uses a narrative structure that may be independent of semantic relatedness. Altogether, we argue that the comprehension of visual narrative is guided by an interaction between structure and meaning.
Keyword: Article
URL: http://www.ncbi.nlm.nih.gov/pubmed/22387723
https://doi.org/10.1016/j.cogpsych.2012.01.003
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3331971
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20
Extra! Extra! Semantics in comics!: The conceptual structure of "Chicago Tribune" advertisements
In: Journal of pragmatics. - Amsterdam [u.a.] : Elsevier 42 (2010) 11, 3138-3146
BLLDB
OLC Linguistik
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