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The body and its figuration in Sony Labou and Sami Tchak ; Enjeux et figurations du Corps chez Sony Labou Tansi et Sami Tchak
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In: https://tel.archives-ouvertes.fr/tel-03537246 ; Linguistique. Université de Limoges, 2021. Français. ⟨NNT : 2021LIMO0041⟩ (2021)
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Queerness in Translation: Women’s Homoerotics and Gender Play in pre- and post-Revolutionary Iran
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Profession of the Unseen: Postcolonial Scholar Poets and the Formation of World Literature ...
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: University of Virginia, 2021
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Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia ...
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Jilani, Sarah. - : Apollo - University of Cambridge Repository, 2021
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H-deletion and H-insertion in Nigerian Englishes: their sociolinguistic and extralinguistic constraints and their enregisterment as the ‘H-factor’ ...
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French Muslim Youth’s Perception of their Cultural Identity in a Post-Charlie Hebdo Reality in the 19th Arrondissement.
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In: FIU Electronic Theses and Dissertations (2021)
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Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia
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| 10 |
H-deletion and H-insertion in Nigerian Englishes: their sociolinguistic and extralinguistic constraints and their enregisterment as the ‘H-factor’
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| 11 |
Cartografias Subalternas: travessias epistemológicas para a Ciência da Informação ; Subaltern Cartographies: epistemological paths for Information Science
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Cultural identity revisited: Early twentieth-century women’s work of cultural preservation (Maria Cristina Mena, Humishuma, Sui Sin Far and The Daughters of Hawai’i)
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Abstract:
Dissertation (Ph.D.)--University of Kansas, English, 2007. ; This dissertation focuses on the work of cultural preservation and self-representation by a group of women from the cultural "periphery." As I explore the works of María Cristina Mena, Humishuma (Mourning Dove), Sui Sin Far (Edith Maude Eaton) and The Daughters of Hawai'i, it becomes clear that "cultural preservation" can mean cultural "creation" and/or "reinvention", depending on the cultural desires of the writers doing the "preserving," but also on those in control of the editorial and publication processes. The level of achieved success in terms of the "purity" of any represented culture also often depends on the dominant culture's fantasies and determinations of what is culturally acceptable and believable. The works by the women I study in this project: Mexican-American, American-Indian, Chinese-American, and non-indigenous as well as indigenous Hawaiian, all show the tension between submitting to the pressure to play into fantasies of cultural domination and the desire to resist. As the products of colonial tensions, caught in the uncertain time and space of cultures in transition, forced to move between epistemological borders, these women engaged in a cultural repositioning that defied the mainstream cultural narratives of the time. It is through the border-crossing element of these women's work that the complex nature of cultural preservation and their common fight for cultural ownership and self-representation are thus appropriately highlighted.
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Keyword:
Border-drossing; Cultural preservation; Daughters of Hawai'i; Humishuma; Identity; Language; literature and linguistics; Maria Cristina; Mena; Mourning Dove; Postcolonial; Postcolonial theory; Social sciences; Sui Sin Far; Women writers
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URL: http://hdl.handle.net/1808/31947
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| 13 |
Echoing + Resistant Imagining: Filipino Student Writing Under American Colonial Rule
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In: Doctoral Dissertations (2021)
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| 14 |
Voyage des enfants de la postcolonie vers l’ailleurs-paradis : Récits de migration et imagination africaine de l’Occident dans Le ventre de l’Atlantique de Fatou Diome
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In: Voix Plurielles; Vol. 18 No. 2 (2021); 219-232 ; 1925-0614 (2021)
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| 15 |
Construction, evolution and questioning of identity in Nigerian contemporary fiction ; Construction, évolution et questionnements identitaires dans la littérature nigériane contemporaine
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In: https://tel.archives-ouvertes.fr/tel-02927341 ; Littératures. Université Grenoble Alpes [2020-.], 2020. Français. ⟨NNT : 2020GRALL005⟩ (2020)
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Des Black Panthers à l’Arabian Panther : quand Médine en appelle aux leaders du passé pour mener son combat. Une étude de « Self Defense »
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In: ATeM (Archives Textes et Musique) ; https://hal.archives-ouvertes.fr/hal-03118240 ; ATeM (Archives Textes et Musique), IUP ( Innsbruck University Press), 2020, Chansons hors-la-loi, 5 (1) ; https://atem-journal.com/ojs2/index.php/ATeM/issue/view/2020_1 (2020)
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| 17 |
In the Name of Shakespeare: (En)Gendering India through Translation
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Rao, Anandi. - : eScholarship, University of California, 2020
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| 18 |
Book Review: Bandia, Paul F., ed., Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, Amsterdam-New York: Rodopi, 2014.
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In: Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora ; https://hal.archives-ouvertes.fr/hal-02543875 ; Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, 2020 (2020)
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From Jamaica to Cuba: the languages of revolutions and revolts ...
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From Jamaica to Cuba: the languages of revolutions and revolts ...
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