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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Page: 1 2 3 4 5...15 Hits 1 – 20 of 283 1 Beckett's and Murakami's 'Vaguened' Worlds Byrne Keane, Alicia Paula. - : Trinity College Dublin. School of English. Discipline of English, 2022 BASE Show details 2 The body and its figuration in Sony Labou and Sami Tchak ; Enjeux et figurations du Corps chez Sony Labou Tansi et Sami Tchak Ndoukou-Ndoukou, Urbain. - : HAL CCSD, 2021 In: https://tel.archives-ouvertes.fr/tel-03537246 ; Linguistique. Université de Limoges, 2021. Français. ⟨NNT : 2021LIMO0041⟩ (2021) BASE Show details 3 Queerness in Translation: Women’s Homoerotics and Gender Play in pre- and post-Revolutionary Iran Rahmani, Mariam. - : eScholarship, University of California, 2021 BASE Show details 4 Profession of the Unseen: Postcolonial Scholar Poets and the Formation of World Literature ... : University of Virginia, 2021 BASE Show details 5 Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia ... Jilani, Sarah. - : Apollo - University of Cambridge Repository, 2021 BASE Show details 6 H-deletion and H-insertion in Nigerian Englishes: their sociolinguistic and extralinguistic constraints and their enregisterment as the ‘H-factor’ ... Adeolu, Elizabeth Olushola. - : The University of Edinburgh, 2021 BASE Show details 7 French Muslim Youth’s Perception of their Cultural Identity in a Post-Charlie Hebdo Reality in the 19th Arrondissement. Bernard, Gaelle Flora In: FIU Electronic Theses and Dissertations (2021) BASE Show details 8 Collaging cultures : curating Italian studies Duncan, Derek Egerton. - 2021 BASE Show details 9 Subjectivities in Decolonisation: The Post-Independence Film and Novel in Africa and South Asia Jilani, Sarah. - : University of Cambridge, 2021. : Kings, 2021 BASE Show details 10 H-deletion and H-insertion in Nigerian Englishes: their sociolinguistic and extralinguistic constraints and their enregisterment as the ‘H-factor’ Adeolu, Elizabeth Olushola. - : The University of Edinburgh, 2021 BASE Show details 11 Cartografias Subalternas: travessias epistemológicas para a Ciência da Informação ; Subaltern Cartographies: epistemological paths for Information Science Müller, Jéssica Paola Macedo; Sousa, Rodrigo Silva Caxias de. - 2021 BASE Show details 12 Cultural identity revisited: Early twentieth-century women’s work of cultural preservation (Maria Cristina Mena, Humishuma, Sui Sin Far and The Daughters of Hawai’i) Arab, Teresa Fernandez. - : University of Kansas, 2021 BASE Show details 13 Echoing + Resistant Imagining: Filipino Student Writing Under American Colonial Rule Jimenez, Florianne In: Doctoral Dissertations (2021) BASE Show details 14 Voyage des enfants de la postcolonie vers l’ailleurs-paradis : Récits de migration et imagination africaine de l’Occident dans Le ventre de l’Atlantique de Fatou Diome Mapangou, Dacharly In: Voix Plurielles; Vol. 18 No. 2 (2021); 219-232 ; 1925-0614 (2021) BASE Show details 15 Construction, evolution and questioning of identity in Nigerian contemporary fiction ; Construction, évolution et questionnements identitaires dans la littérature nigériane contemporaine Danaila, Ioana. - : HAL CCSD, 2020 In: https://tel.archives-ouvertes.fr/tel-02927341 ; Littératures. Université Grenoble Alpes [2020-.], 2020. Français. ⟨NNT : 2020GRALL005⟩ (2020) BASE Show details 16 Des Black Panthers à l’Arabian Panther : quand Médine en appelle aux leaders du passé pour mener son combat. Une étude de « Self Defense » GENDRON, Catherine In: ATeM (Archives Textes et Musique) ; https://hal.archives-ouvertes.fr/hal-03118240 ; ATeM (Archives Textes et Musique), IUP ( Innsbruck University Press), 2020, Chansons hors-la-loi, 5 (1) ; https://atem-journal.com/ojs2/index.php/ATeM/issue/view/2020_1 (2020) Abstract: International audience ; In the 2000s, as French society was experiencing a rise in postcolonial demands, politicised French rappers focused their writing on themes such as the history of relationships between Europe and Africa, slavery, colonisation, and the history of immigration. Médine, who is one of these rappers, is committed to defending the cause of victims of exclusion. His keen interest in history makes him think that we have much to learn from the past so as not to repeat the same mistakes in the present. He has made it his duty to keep alive our collective memory and warn us against some official truncated versions of history. His rap “Self Defense”, from the album Arabian Panther (2008), features historical leaders who fought against various forms of oppression and defended their people’s rights.Throughout this rap, Médine establishes a close link between these leaders’ fights and his own, bringing their people together in a kind of symbolic ‘community of the oppressed’. Mixing provocation and political demands all along his rap, he draws our attention to his call for the duty of remembrance, which he finally legitimises by quoting the Taubira law promoting the recognition of the slave trade and slavery as a crime against humanity and asking for the inclusion of these historical facts in school and university curricula. ; Dans les années 2000, alors que la société française connaissait une montée des revendications postcoloniales, les rappeurs français politisés ont axé leur écriture sur des thèmes tels que l'histoire des relations entre l'Europe et l'Afrique, l'esclavage, la colonisation et l'histoire de l'immigration. Médine, qui est l'un de ces rappeurs, s'engage à défendre la cause des victimes de l'exclusion. Son vif intérêt pour l'histoire lui fait penser que nous avons beaucoup à apprendre du passé pour ne pas répéter les mêmes erreurs dans le présent. Il s'est fait un devoir de garder vivante notre mémoire collective et de nous mettre en garde contre certaines versions officielles et tronquées de l'histoire. Son rap "Self Defense", tiré de l'album Arabian Panther (2008), met en scène des leaders historiques qui ont lutté contre diverses formes d'oppression et défendu les droits de leur peuple.A travers ce rap, Médine établit un lien étroit entre les combats de ces leaders et les siens, rassemblant ces peuples dans une sorte de "communauté des opprimés" symbolique. Keyword: [SHS.LITT]Humanities and Social Sciences/Literature; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; [SHS.SOCIO]Humanities and Social Sciences/Sociology; Arabian Panthers; chanson; collective memory; devoir de mémoire; duty of remembrance; histoire; Médine; mémoire collective; musique; postcolonial demands; Rap; Rap music; revendications postcoloniales; Self Defense URL: https://hal.archives-ouvertes.fr/hal-03118240 BASE Hide details 17 In the Name of Shakespeare: (En)Gendering India through Translation Rao, Anandi. - : eScholarship, University of California, 2020 BASE Show details 18 Book Review: Bandia, Paul F., ed., Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, Amsterdam-New York: Rodopi, 2014. Brisset, Frédérique In: Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora ; https://hal.archives-ouvertes.fr/hal-02543875 ; Writing and Translating Francophone Discourse: Africa, The Caribbean, Diaspora, 2020 (2020) BASE Show details 19 From Jamaica to Cuba: the languages of revolutions and revolts ... Premat, Christophe. - : Stockholm University, 2020 BASE Show details 20 From Jamaica to Cuba: the languages of revolutions and revolts ... Premat, Christophe. - : Stockholm University, 2020 BASE Show details Page: 1 2 3 4 5...15

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