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Distinct signatures of subjective confidence and objective accuracy in speech prosody
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In: ISSN: 0010-0277 ; EISSN: 1873-7838 ; Cognition ; https://hal.archives-ouvertes.fr/hal-03181668 ; Cognition, Elsevier, 2021, 212, pp.104661. ⟨10.1016/j.cognition.2021.104661⟩ (2021)
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Distinct signatures of subjective confidence and objective accuracy in speech prosody
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In: ISSN: 0010-0277 ; EISSN: 1873-7838 ; Cognition ; https://hal.sorbonne-universite.fr/hal-03263512 ; Cognition, Elsevier, 2021, 212, pp.104661. ⟨10.1016/j.cognition.2021.104661⟩ (2021)
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Listeners’ perceptions of the certainty and honesty of a speaker are associated with a common prosodic signature
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In: Nature Communications ; https://hal.archives-ouvertes.fr/hal-03455076 ; Nature Communications, 2021, 12 (861), pp.1 - 17 (2021)
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Listeners’ perceptions of the certainty and honesty of a speaker are associated with a common prosodic signature
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In: Nat Commun (2021)
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Cracking the social code of speech prosody using reverse correlation
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In: ISSN: 0027-8424 ; EISSN: 1091-6490 ; Proceedings of the National Academy of Sciences of the United States of America ; https://hal.archives-ouvertes.fr/hal-02004519 ; Proceedings of the National Academy of Sciences of the United States of America , National Academy of Sciences, 2018, 115 (15), pp.3972-3977. ⟨10.1073/pnas.1716090115⟩ (2018)
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Reply to Knight et al.: The complexity of inferences from speech prosody should be addressed using data-driven approaches
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In: ISSN: 0027-8424 ; EISSN: 1091-6490 ; Proceedings of the National Academy of Sciences of the United States of America ; https://hal.archives-ouvertes.fr/hal-02481125 ; Proceedings of the National Academy of Sciences of the United States of America , National Academy of Sciences, 2018, 115 (27), pp.E6104-E6105. ⟨10.1073/pnas.1806857115⟩ (2018)
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L’interaction sociale en musique
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In: Revue de l’Association des Professeurs d’Education Musicale ; https://hal.archives-ouvertes.fr/hal-01712838 ; 2017 (2017)
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Music Does Not Only Regulate, But Directly And Reliably Communicates Social Behaviors
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In: Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music ; https://hal.archives-ouvertes.fr/hal-01259623 ; Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music , Aug 2015, Manchester, United Kingdom ; http://escom.org/proceedings/ESCOM9_Manchester_2015_Abstracts_Proceedings.pdf (2015)
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Music does not only communicate intrapersonal emotions, but also interpersonal attitudes
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In: Fifth International Conference on Music and Emotions (ICME4) ; https://hal.archives-ouvertes.fr/hal-01261132 ; Fifth International Conference on Music and Emotions (ICME4), Oct 2015, Geneve, Switzerland (2015)
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Abstract:
International audience ; Our capacity to express emotional content in music, and how it relates to linguistic prosody, has been the subject of impassioned psychology and neuroscience research in the past two decades. While the musical expression of basic emotions is now understood to rely much on the same acoustical characteristics as speech prosody, the picture is less clear when music is considered a medium not only for basic emotions, but also for social attitudes. The present study aims to test the capacity of musical communication to encode, and be decoded as, a series of 5 attitudes: being domineering (DOM), insolent (INS), disdainful (DIS), caring (CAR) or conciliatory (CON). We recorded a series of 100 improvised duets, in which one musician was tasked to express one attitude and the other to recognize it. First, we found that the encoded attitudes could be reliably decoded from musical interactions, both by the participants of the interactions and by external listeners. Second, using computational audio analysis, we showed that this capacity to decode social intents from music relied on temporal and harmonic coordination cues that did not suggests similarity with language. These results show that musical interactions can be used as a means to directly communicate social attitudes so far believed to be germane to verbal interactions, and that this capacity is not an exaptation from language. In evolutionary terms, this suggests that a lot more social communication would have been possible with music as the sole pre-linguistic "technology" than previously believed.
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Keyword:
[SCCO.PSYC]Cognitive science/Psychology; [SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts; emotion; music
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URL: https://hal.archives-ouvertes.fr/hal-01261132
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Going ba-na-nas: Prosodic analysis of spoken Japanese attitudes
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In: Speech Prosody 2014 ; https://hal.archives-ouvertes.fr/hal-00981263 ; Speech Prosody 2014, May 2014, Dublin, Ireland. pp.4 (2014)
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