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1
Maloya dance and music: Réunionese Créole togetherness
Hillion Toulcanon, Marie-Muriel. - : Edith Cowan University, Research Online, Perth, Western Australia, 2022
In: Theses: Doctorates and Masters (2022)
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2
Dance, multilingual repertoires and the Italian landscape: asylum seekers’ narratives in an arts-based project
Ciribuco, Andrea. - : Routledge, 2022
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3
Didattica performativa nella promozione della lingua e cultura Italiana in Irlanda: il corpo e la danza come strumenti di apprendimento linguistico e ponti tra culture
Dianetti, Michela; Nicora, Francesca. - : Università degli Studi di Milano, 2022
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4
Message in the Smoke: Spirit Acts of Transfer, Liminality, and Embodied Relationships in Contemporary Powwow
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5
Agir sur le corps pour se mouvoir dans l'espace : étude sémantique des verbes causatifs de mouvement à partir d'un corpus d'instructions de danse
In: ISSN: 0756-7138 ; Lexique ; https://hal.archives-ouvertes.fr/hal-03303949 ; Lexique, Presses Universitaires du Septentrion, 2021, pp.63-86 ; https://lexique.univ-lille.fr/agir-sur-le-corps-pour-se-mouvoir-dans-lespace-etude-semantique-des-verbes-causatifs-de-mouvement-a-partir-dun-corpus-dinstructions-de-danse.html (2021)
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6
Dossier Orchesis. Nouvelles tendances de la recherche dans les danses grecque et étrusque antiques
Delavaud-Roux, Marie-Hélène; Kabarakis, Elodie; Yioutsos, Nektarios Petros. - : HAL CCSD, 2021. : Laboratorio de Dramaturgia da Universidade de Brasilia, 2021
In: Dramaturgias. Revista do Laboratório de Dramaturgia - LADI - UnB ; https://hal.univ-brest.fr/hal-03504614 ; Marie-Hélène Delavaud-Roux. Dramaturgias. Revista do Laboratório de Dramaturgia - LADI - UnB, 18, pp.317-471, 2021 ; https://periodicos.unb.br/index.php/dramaturgias/article/view/41286/31941 (2021)
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7
Effect of a performing arts program on the oral language skills of young English learners
Brouillette, Liane; Greenfader, Christs; Farkas, George. - : eScholarship, University of California, 2021
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8
Eponyms in Dance Terminology as an Object of Translation
In: Półrocznik Językoznawczy Tertium ; https://hal.archives-ouvertes.fr/hal-03277873 ; Półrocznik Językoznawczy Tertium, 2021, 5 (2), ⟨10.7592/Tertium2020.5.2.Mezyk⟩ (2021)
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9
LINGUOCULTUROLOGICAL CHARACTERISTICS OF THE CONDITIONS OF THE UZBEK DANCE ...
Khulkar Khamroeva. - : Zenodo, 2021
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10
LINGUOCULTUROLOGICAL CHARACTERISTICS OF THE CONDITIONS OF THE UZBEK DANCE ...
Khulkar Khamroeva. - : Zenodo, 2021
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11
Summary of Dissertation Recitals: Notes on Three Performances ...
Rusche, Joana. - : My University, 2021
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12
What Would Gloria Ladson-Billings Do?: A Pedagogical Framework That Moves
In: SPACE: Student Perspectives About Civic Engagement (2021)
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13
ТАНЕЦ TIKTOK КАК ФЕНОМЕН СОВРЕМЕННОЙ ТАНЦЕВАЛЬНОЙ КУЛЬТУРЫ ... : TIKTOK DANCE AS A PHENOMENON OF MODERN DANCE CULTURE ...
Забубенина Ирина Константиновна. - : Вестник Московского государственного университета культуры и искусств, 2021
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14
ХОРОВОД В АНТИЧНОЙ КУЛЬТУРЕ: ОБРАЗЫ, СМЫСЛЫ, СИМВОЛЫ ... : ROUND DANCE IN ANTIQUE CULTURE: IMAGES, MEANINGS, SYMBOLS ...
Забубенина Ирина Константиновна. - : Вестник Московского государственного университета культуры и искусств, 2021
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15
Hysterical aesthetics in contemporary performance: Theatre, dance, voice
In: Research outputs 2014 to 2021 (2021)
Abstract: Joanna Townsend argues that the historic medical condition called hysteria can act as a structural metaphor to support the construction of a “hysterical performance text” which emphasizes the “splits and contradictions” within and between characters, their voices and their bodies. This aesthetic strategy was pioneered by the Surrealists and others who encountered hysterical patients at the Pitié-Salpêtrière. Artists today do not necessarily draw directly on these precedents, but the hysterical aesthetic is still with us. The most prominent strategy employed within hysterical performance is that of dialectical corporeal surrogation—or “hosting” (Laura González). In the phrasing of vocalist Sage Harlow, this constitutes a dangerous but necessary aesthetics of love, wherein that which arises from within or without the host body must be accepted with compassion, even as this challenges one’s own sense of subjectivity.
Keyword: Arts and Humanities; contemporary performance; dance; hysteria; hysterical aesthetics; theatre; Theatre and Performance Studies; voice
URL: https://ro.ecu.edu.au/ecuworkspost2013/10784
https://doi.org/10.1007/978-3-030-66360-5_12
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16
Female masquerade of Le Domini di Lavallo ... : Dansatrici delle Domini di Lavallo ...
Gerlach, Oliver. - : LaZAR, 2021
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17
Female masquerade of Le Domini di Lavallo ... : Dansatrici delle Domini di Lavallo ...
Gerlach, Oliver. - : LaZAR, 2021
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18
From Being to Becoming: Protests, Festivals, and Musical Mediations of Igorot Indigeneity
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19
Summary of Dissertation Recitals: Notes on Three Performances
Rusche, Joana. - 2021
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20
Da improvisação senciente à dança da indignação: uma antropologia das danças contemporâneas ; From sentient improvisation to the dance of indignation: an anthropology of contemporary dances
Jacques, Renato. - : Biblioteca Digital de Teses e Dissertações da USP, 2021. : Universidade de São Paulo, 2021. : Faculdade de Filosofia, Letras e Ciências Humanas, 2021
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