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Measuring the cognitive cost of downward monotonicity by controlling for negative polarity
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In: Glossa: a journal of general linguistics; Vol 4, No 1 (2019); 36 ; 2397-1835 (2019)
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| 6 |
Quantificational DP arguments of opaque predicates in German
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| 7 |
Scope, scalarity, and polarity in aspectual marking : the case of English 'until' and Spanish 'hasta'
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| 8 |
NPI licensing in Jordanian Arabic: An argument for downward entailment and syntax-semantics interface
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In: Topics in Linguistics, Vol 18, Iss 2, Pp 24-35 (2017) (2017)
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Structural and semantic ambiguity of why-questions: An overlooked case of weak islands in English
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In: Proceedings of the Linguistic Society of America; Vol 1 (2016): Proceedings of the Linguistic Society of America; 15:1–15 ; 2473-8689 (2016)
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| 10 |
The children's acquisition of shenme in Mandarin Chinese
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Liao, Min. - : Sydney, Australia : Macquarie University, 2014
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| 11 |
Scalar implicatures and downward entailment in child Mandarin
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| 12 |
Children's knowledge of disjunction and universal quantification in Mandarin Chinese
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| 13 |
‘THE DOWNWARD PATH’: THE SEDUCTION OF THE SPECTATOR IN AMERICAN SILENT FILM HISTORIOGRAPHY
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In: Digitized Theses (2011)
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Abstract:
In an attempt to approach the persistent gravity of the classical Hollywood film spectator as an indicator o f its hegemonic populism, the dissertation conceives o f the historiography o f the silent era as a melodramatic seduction plot. Seeking to rise to the methodological challenge posed by early cinema, Freud’s seduction theory (as it has been elaborated by Jean Laplanche) is proposed as an alternative psychoanalytic model of cultural incorporation, to provide the frame to consider the constitution o f the film populism of classical Hollywood spectatorship as a series of decisive historical encounters with the alterity of film’s monstrative address. In an exploration of the bodies of work of film scholars including Linda Williams, Tom Gunning, Ben Brewster, Miriam Hansen and Mary Ann Doane, this project posits a dialectical itinerary to reimagine the transition from attractions to (narrative) seduction, and to rethink the way that the monstration o f cinema (and its cultural hypostases) comes to invade the intimacy o f the spectatorial interior. It reconsiders the decisive conflicts o f Américan silent film ’s infancy against the screen of analyses of early American Mutoscope and Biograph Company peepshows and the silent films of Cecil B. DeMille, Rudolph Valentino, and Louise Brooks.
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Keyword:
Ben Brewster; Cecil B. DeMille; Christian Metz; Cinema o f Attractions; Cobra (1925); Early Cinema; Film Bodies; Film Historiography; Film Monstration; Film Spectatorship; Film Theoiy; Jean Laplanche; Judith Butler; Linda Williams; Louise Brooks; Mary Ann Doane; Melodrama; Miriam Hansen; Pandora’s Box (1929); Psychoanalysis; Rudolph Valentino; Seduction Theory; Sex Appeal; Silent Film; The Downward Path (1900); The Picture the iii Photographer Took(1904); The Ten Commandments (1923); Tom Gunning; Traffic in Souls (1913); Transitional Cinema
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URL: https://ir.lib.uwo.ca/cgi/viewcontent.cgi?article=7336&context=digitizedtheses
https://ir.lib.uwo.ca/digitizedtheses/3518
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| 14 |
Another argument for embedded scalar implicatures based on oddness in downward entailing environments
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In: Semantics and Pragmatics, Vol 4, Iss 0, Pp 1-51 (2011) (2011)
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| 15 |
Another argument for embedded scalar implicatures based on oddness in downward entailing contexts
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In: Semantics and Linguistic Theory; Proceedings of SALT 20; 564-581 ; 2163-5951 (2010)
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| 16 |
Emergence and Downward Causation in Contemporary Artificial Agents: Implications for their Autonomy and Some Design Guidelines. Cybernetics and Human Knowing (Forthcoming
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In: http://www.syros.aegean.gr/users/arar/journ_pub/Emergence%20and%20Downward%20Causation%20in%20AA.pdf (2008)
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| 17 |
A downward spiral: Young people, the media, and political disengagement
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In: UNLV Retrospective Theses & Dissertations (2000)
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