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Maloya dance and music: Réunionese Créole togetherness
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In: Theses: Doctorates and Masters (2022)
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Dance, multilingual repertoires and the Italian landscape: asylum seekers’ narratives in an arts-based project
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Didattica performativa nella promozione della lingua e cultura Italiana in Irlanda: il corpo e la danza come strumenti di apprendimento linguistico e ponti tra culture
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Message in the Smoke: Spirit Acts of Transfer, Liminality, and Embodied Relationships in Contemporary Powwow
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Agir sur le corps pour se mouvoir dans l'espace : étude sémantique des verbes causatifs de mouvement à partir d'un corpus d'instructions de danse
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In: ISSN: 0756-7138 ; Lexique ; https://hal.archives-ouvertes.fr/hal-03303949 ; Lexique, Presses Universitaires du Septentrion, 2021, pp.63-86 ; https://lexique.univ-lille.fr/agir-sur-le-corps-pour-se-mouvoir-dans-lespace-etude-semantique-des-verbes-causatifs-de-mouvement-a-partir-dun-corpus-dinstructions-de-danse.html (2021)
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Dossier Orchesis. Nouvelles tendances de la recherche dans les danses grecque et étrusque antiques
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In: Dramaturgias. Revista do Laboratório de Dramaturgia - LADI - UnB ; https://hal.univ-brest.fr/hal-03504614 ; Marie-Hélène Delavaud-Roux. Dramaturgias. Revista do Laboratório de Dramaturgia - LADI - UnB, 18, pp.317-471, 2021 ; https://periodicos.unb.br/index.php/dramaturgias/article/view/41286/31941 (2021)
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Effect of a performing arts program on the oral language skills of young English learners
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Eponyms in Dance Terminology as an Object of Translation
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In: Półrocznik Językoznawczy Tertium ; https://hal.archives-ouvertes.fr/hal-03277873 ; Półrocznik Językoznawczy Tertium, 2021, 5 (2), ⟨10.7592/Tertium2020.5.2.Mezyk⟩ (2021)
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LINGUOCULTUROLOGICAL CHARACTERISTICS OF THE CONDITIONS OF THE UZBEK DANCE ...
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LINGUOCULTUROLOGICAL CHARACTERISTICS OF THE CONDITIONS OF THE UZBEK DANCE ...
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Summary of Dissertation Recitals: Notes on Three Performances ...
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What Would Gloria Ladson-Billings Do?: A Pedagogical Framework That Moves
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In: SPACE: Student Perspectives About Civic Engagement (2021)
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ТАНЕЦ TIKTOK КАК ФЕНОМЕН СОВРЕМЕННОЙ ТАНЦЕВАЛЬНОЙ КУЛЬТУРЫ ... : TIKTOK DANCE AS A PHENOMENON OF MODERN DANCE CULTURE ...
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ХОРОВОД В АНТИЧНОЙ КУЛЬТУРЕ: ОБРАЗЫ, СМЫСЛЫ, СИМВОЛЫ ... : ROUND DANCE IN ANTIQUE CULTURE: IMAGES, MEANINGS, SYMBOLS ...
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Hysterical aesthetics in contemporary performance: Theatre, dance, voice
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In: Research outputs 2014 to 2021 (2021)
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Female masquerade of Le Domini di Lavallo ... : Dansatrici delle Domini di Lavallo ...
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Female masquerade of Le Domini di Lavallo ... : Dansatrici delle Domini di Lavallo ...
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From Being to Becoming: Protests, Festivals, and Musical Mediations of Igorot Indigeneity
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Summary of Dissertation Recitals: Notes on Three Performances
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Abstract:
Two recitals and an opera role were performed in lieu of a written dissertation. The following program notes and character analysis represent a journey through artistry, vocal scholarship, and pertinent research as a doctoral student at the University of Michigan. The two dissertation recital performances and the operatic role of Elle in Poulenc’s La voix humaine demonstrate proficiency in a range of languages and styles, an application of vocal skill and expertise both technically and interpretatively, and a depth of understanding of the repertoire as it pertains to both style and context. The first recital, “Songs of Love and Loss,” included art songs of the late Romantic era including works by Jean Sibelius, Sergei Rachmaninoff, Henri Duparc, Stefano Donaudy and Richard Strauss. The second dissertation recital, “Tapas musicales: A ‘Spanish’ Song Recital,” explored Spanish inspired music and art songs in Spanish dialects with music by Alberto Hemsi, Joseph Canteloube, Gioachino Rossini, Maurice Ravel, Manuel de Falla and Georges Bizet. An analysis of the psychology of the sole character of La voix humaine was explored in depth as demonstrated by the poignant setting and rich harmonic language of Francis Poulenc. Recital 1: “Songs of Love and Loss.” September 25, 2020, 7:30 pm, Westside United Methodist Church, Ann Arbor, Michigan. Mahour Arbabian, piano. Recital 2: “Tapas musicales: A ‘Spanish’ Song Recital.” February 20, 2021, 7:30 pm, Westside United Methodist Church, Ann Arbor, Michigan. Aleksandr Polyakov, piano. Recital 3: The sole role in the mono-opera La voix humaine by Francis Poulenc. March 7, 2021, The home of Dr. Louise Toppin, Yspilanti, Michigan. Mahour Arbabian, piano. ; AMU ; Music: Performance ; University of Michigan, Horace H. Rackham School of Graduate Studies ; http://deepblue.lib.umich.edu/bitstream/2027.42/167977/1/jrusche_1.pdf
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Keyword:
Arts; Carmen; Chants d'Auvergne; La voix humaine; Music and Dance; Recital
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URL: https://doi.org/10.7302/1404
https://hdl.handle.net/2027.42/167977
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Da improvisação senciente à dança da indignação: uma antropologia das danças contemporâneas ; From sentient improvisation to the dance of indignation: an anthropology of contemporary dances
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Jacques, Renato. - : Biblioteca Digital de Teses e Dissertações da USP, 2021. : Universidade de São Paulo, 2021. : Faculdade de Filosofia, Letras e Ciências Humanas, 2021
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