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Sanfte Zitrone. Die Erstgeborene ; Soft lemon. The Firstborn ; Dulce limón. La primogénita ; Citron doux. L’Aînée ; Dolce limone. La primogenita ; Suave limão. A primogênita
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In: ISSN: 0963-9489 ; EISSN: 1469-9869 ; Modern and Contemporary France ; https://hal.archives-ouvertes.fr/hal-03610515 ; Modern and Contemporary France, Taylor & Francis (Routledge), 2022, pp.1-2. ⟨10.1080/09639489.2022.2030692⟩ (2022)
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PHOTOGRAPHS OF THE WORLD AFTER ; PHOTOGRAPHIES DU MONDE D'APRÈS
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In: Fabula / Les colloques ; https://hal.archives-ouvertes.fr/hal-03595817 ; Fabula / Les colloques, Fabula, 2022 (2022)
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Activist Horror Film: The Genre as Tool for Change
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Abstract:
It is increasingly common for scholars and journalists to make claims of horror cinema’s potential to engage with socio-political realities and, in so doing, identify grave social injustices. This article argues that, if one is to make a true assessment of the extent to which horror films might effect social change, one needs to look towards activist communities within which filmmakers are using the genre as part of a broader effort to do precisely that. In so doing, the article theorizes ‘Activist Horror Film’ in relation to a British short film, The Herd, a work cultivated as part of the vegan-feminist protest movement. The article begins by situating The Herd within the context of scholarship about socially charged horror films, before considering the film’s broader activist context and that of its production, the crowd-funding campaign that led to its completion, the film’s content, its presence at festivals and online and its afterlife within circles of vegan/animal welfare activism. This article contends that The Herd is easily distinguished from other socially aware horror films of the contemporary moment, for the activism of its makers is what drives it and is the context that birthed it and within which it continues to be shown.
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Keyword:
W600 Cinematics and Photography
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URL: http://nrl.northumbria.ac.uk/id/eprint/48307/ http://nrl.northumbria.ac.uk/id/eprint/48307/1/CLEAN_Walker_ActivistHorrorFilm_line_edited_24_01_22_nocomments.pdf https://doi.org/10.1080/17400309.2022.2036523
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Pier Paolo Pasolini e Roland Barthes Tracce fotografiche di un dialogo mancato ...
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Forensic Facial Comparison: Current Status, Limitations, and Future Directions
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In: Biology; Volume 10; Issue 12; Pages: 1269 (2021)
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Putting metaphor centre stage : a case study of Alison Landsberg's 'Prosthetic Memory'
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Painting with words: describing women in photography ; Pintando con palabras: la descripción de mujeres en la fotografía
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Super-recognisers: some people excel at both face and voice recognition
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Corpo que fala: uma análise dos sentidos sobre o abuso na série Bom Dia, Verônica (2020), de Raphael Montes
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Análisis de las visiones de jóvenes indígenas peruanos en torno al ecofeminismo y el buen vivir a través de la técnica photovoice
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La soledad como sentimiento esencial: una revisión artística y una propuesta personal.
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“An American Sun Shines Brighter”: Art, Science, and the American Reinvention of Photography
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In: Bryn Mawr College Dissertations and Theses (2020)
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Landscape Entanglements: Toward a Descriptive Project for Planning Research
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In: Berkeley Planning Journal, vol 31, iss 1 (2020)
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Desarrollo de la competencia lingüística desde la educación ambiental y la fotografía ; Development of linguistic competence through environmental education and photography
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Making Chó bò*: Troubling Việt speak : Collaborating, translating, and archiving with family in Australian contemporary art. ...
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Exploring Intimacy in Collaborative Photographic Narratives of Breast Cancer
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In: Humanities ; Volume 9 ; Issue 1 (2020)
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V for vivienda, V for viñeta: Housing policy and spaces for living in Spanish comics and graphic novels
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