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Cyborg werden: Möglichkeitshorizonte in feministischen Theorien und Science Fictions
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Fink, Dagmar. - : transcript Verlag, 2022. : DEU, 2022. : Bielefeld, 2022
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In: Gender Studies ; 291 (2022)
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Natural cybernetics and mathematical history: the principle of least choice in history
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In: https://hal.archives-ouvertes.fr/hal-03315004 ; 2021 (2021)
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Imagining the thinking machine: Technological myths and the rise of artificial intelligence
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A Measure of All Minds: A Classification of the Artificial Intelligence Strengths and Virtues & the Creation of the THETIS Dimensions of Cybernetic Wellbeing
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In: Master of Applied Positive Psychology (MAPP) Capstone Projects (2020)
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Unique information via dependency constraints
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In: Journal of Physics A: Mathematical and Theoretical, vol 52, iss 1 (2019)
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Inscription and ‘Anscription’: Surface and System in Cybernetics, Deconstruction, and Don DeLillo ...
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Inscription and ‘Anscription’: Surface and System in Cybernetics, Deconstruction, and Don DeLillo
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In: Humanities ; Volume 8 ; Issue 1 (2019)
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Inscription and ‘Anscription’: Surface and System in Cybernetics, Deconstruction, and Don DeLillo
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Zetter, Nathaniel. - : MDPI AG, 2019. : https://www.mdpi.com/2076-0787/8/1/5, 2019. : Humanities, 2019
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Abstract:
This essay proposes the concept of ‘anscription’, and employs it to re-think some of the typical valences of inscription in media theory. The word is derived from the German anschreiben, which can simply mean, ‘to write up’, but also refers to the specific act, and the set of social relations that come into place, when one writes something up on a blackboard. Not quite encompassed by inscription, it offers an essential counterpart to the term for media-oriented thinkers. The essay draws out this corresponding function through readings of three imagined (but not-quite-imaginary) media, across which emerges a dialectic in the cultural imaginary of inscription. The first comes from the mathematician Norbert Wiener’s description of a mechanism that would translate written text into tactile impressions; the second, from Jacques Derrida’s historical framing of the project of deconstruction in relation to writing systems; and the third, from a thirty-two-page description of an American football game in Don DeLillo’s 1972 novel, End Zone. Each will offer a different exemplification of the function termed ‘anscription’. Just as significantly, each example presents this function in relation to the technical possibilities of media and articulates it through a theory of the body that is entangled with writing.
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Keyword:
Cybernetics; Deconstruction; DeLillo; Derrida; Inscription; Media; Wiener
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URL: https://doi.org/10.17863/CAM.35960 https://www.repository.cam.ac.uk/handle/1810/288699
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Mathematics in Motion: Cartesian Mechanism and the Prospect of Intelligent Machines
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The mirror for (artificial) intelligence: Working in whose reflection?
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Moore, Phoebe V.. - : Berlin: Wissenschaftszentrum Berlin für Sozialforschung (WZB), 2019
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Creativity and the cybernetics of self: Drama, embodied creation and feedback processes
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In: Davis, S, (2018). Creativity and the cybernetics of self: Drama, embodied creation and feedback processes. Burgoyne, S (Ed.), Creativity in theatre: Theory and action in theatre/drama education, p. 169-187Cham, Switzerland: Springer http://dx.doi.org/10.1007/978-3-319-78928-6_11 (2018)
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Robert Smithson and Cybernetics: Language, Technology and Abstraction ... : Robert Smithson und Kybernetik: Sprache, Technologie und Abstraktion ...
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Just Talking -- Modelling Casual Conversation ; 19th Annual Meeting of the Special Interest Group on Discourse and Dialogue
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Silence and overlap in chat and chunk phases of multiparty casual conversation ; 9th International Conference on Speech Prosody 2018
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Polychronization as a mechanism for language acquisition in spiking neural networks
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Building Teacher Self-Efficacy Through Administrator Feedback
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In: Dissertations (2018)
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Why the United States Must Adopt Lethal Autonomous Weapon Systems
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The New Dogs of War: The Future of Weaponized Artificial Intelligence
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