| 1 |
Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo
|
|
|
|
In: Monsoon: South Asian Studies Association Journal (2022)
|
|
BASE
|
|
Show details
|
|
|
| 2 |
Tusha Hiti: The Origin and Significance of the Name
|
|
|
|
In: Monsoon: South Asian Studies Association Journal (2022)
|
|
BASE
|
|
Show details
|
|
|
| 3 |
Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga
|
|
|
|
In: Monsoon: South Asian Studies Association Journal (2022)
|
|
BASE
|
|
Show details
|
|
|
| 4 |
Ganges in Indian Sculpture and Literature: Mythology and Personification
|
|
|
|
In: Monsoon: South Asian Studies Association Journal (2022)
|
|
BASE
|
|
Show details
|
|
|
| 5 |
Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages
|
|
|
|
In: Monsoon: South Asian Studies Association Journal (2022)
|
|
BASE
|
|
Show details
|
|
|
| 6 |
Gegen die Öffentlichkeit: Alternative Nachrichtenmedien im deutschsprachigen Raum
|
|
Schwaiger, Lisa. - : transcript Verlag, 2022. : DEU, 2022. : Bielefeld, 2022
|
|
In: 46 ; Digitale Gesellschaft ; 327 (2022)
|
|
BASE
|
|
Show details
|
|
|
| 7 |
Актуализация концептов в международных альтернативных медиа ... : Actualization of Concepts in International Alternative Media ...
|
|
|
|
BASE
|
|
Show details
|
|
|
| 8 |
News media performance evaluated by national audiences: how media environments and user preferences matter
|
|
|
|
In: Media and Communication ; 8 ; 3 ; 321-334 ; Media Performance in Times of Media Change (2020)
|
|
BASE
|
|
Show details
|
|
|
| 9 |
A qualitative metasynthesis of the meaning of speech-generating devices for people with complex communication needs
|
|
|
|
BASE
|
|
Show details
|
|
|
| 10 |
Internet Memes and Society: Social, Cultural, and Political Contexts
|
|
|
|
BASE
|
|
Show details
|
|
|
| 11 |
Percepciones y participación en emisoras de radio comunitaria en Nariño-Colombia
|
|
|
|
In: Comunicar: Revista científica iberoamericana de comunicación y educación, ISSN 1134-3478, Nº 54, 2018, pags. 81-90 (2018)
|
|
BASE
|
|
Show details
|
|
|
| 12 |
Supporting Individuals with Complex Communication Needs to Capture and Share Active Recreational Experiences
|
|
|
|
In: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1497455571213095 (2017)
|
|
BASE
|
|
Show details
|
|
|
| 13 |
A call for innovative social media research in the field of augmentative and alternative communication
|
|
|
|
BASE
|
|
Show details
|
|
|
| 14 |
女性たちはミニコミの中で何を語ってきたのか : タイトルのテキストマイニングを通して ; What topic did women talk about? : Through text-mining of Women’s small-media (=Minikomi)
|
|
樋熊 亜衣. - : 首都大学東京・都立大学社会学研究会, 2017
|
|
BASE
|
|
Show details
|
|
|
| 17 |
Climate crisis and communication: reflections on Naomi Klein's this changes everything
|
|
|
|
In: Media and Communication ; 3 ; 1 ; 1-4 (2015)
|
|
BASE
|
|
Show details
|
|
|
| 18 |
Buceta subversiva: corpo, sexualidade e desejo no zine Garota Siririca
|
|
|
|
BASE
|
|
Show details
|
|
|
| 19 |
Buceta subversiva: corpo, sexualidade e desejo no zine Garota Siririca
|
|
|
|
BASE
|
|
Show details
|
|
|
| 20 |
The politics of ‘connective marginalities’ in Italian reggae culture
|
|
|
|
Abstract:
In this thesis I discuss how the subaltern roots and counter-hegemonic messages of reggae have resonated rhizomatically across linguistic, cultural, and geographical frontiers to connect with marginalized groups and inspire counter-hegemonic forms of communication and social engagement ‘from below’. Using this ‘connective marginalities’ framework, I argue that the transculturation and glocalization of reggae in Italy during the 1980s and early-1990s led to new and creative forms of inclusive, grassroots, and non-institutional political practice and cultural opposition, which resisted and challenged the social and political disengagement of the so-called ‘riflusso’, and reinterpreted and reinvented Italy’s counter-cultural youth practices of the 1970s. Through an analysis of personal interviews with key figures and other primary textual and contextual data, I establish a historic and thematic narrative focusing on the socially and politically tumultuous period between 1980 and 1994. I maintain that, during this period, which represented the most innovative and influential phase of reggae’s evolution in Italy, reggae was used as a means of challenging the nation’s hegemonic politics, culture, identities, and racisms. To this end, I pay particular attention to the profound resonance of reggae in Italy’s South, where it was synthesized with local dialects, perspectives, and cultural elements to create a ‘resistance vernacular’ that resisted Southern marginality. Despite the particular significance of these Southern connective marginalities, I also discuss the translocal and ‘national popular’ posse era of the late-1980s and early-1990s, when reggae and rap were popularized throughout Italy, within both non-hegemonic and hegemonic contexts, as a form of counter-information, social commentary, and intercultural/interregional solidarity.
|
|
Keyword:
Anti-fascism; Anti-racism; Autonomy; Britain; Centri sociali; Connective marginalities; Counter-culture; Counter-hegemony; Counter-information; Dialect; Dub; Glocalization; Gramsci; Hegemony; Hip hop; Identity; Italy; Jamaica; Language; National-popular; Non-institutional politics; Politics; Popular music; Punk; Radical alternative media; Radio libere; Raggamuffin; Rap; Reggae; Resistance vernacular; Rhizomatic; Riflusso; Sound system; Subaltern; Tranculturation; Youth culture; Youth politics
|
|
URL: http://arrow.monash.edu.au/hdl/1959.1/1060125
|
|
BASE
|
|
Hide details
|
|
|
|
|
