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1
Nonverbal Auditory Cues Allow Relationship Quality to be Inferred During Conversations
In: J Nonverbal Behav (2021)
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2
Pitch-interval analysis of 'periodic' and 'aperiodic' Question+Answer pairs
In: Speech Prosody 2016 ; https://hal.univ-lorraine.fr/hal-02997874 ; Speech Prosody 2016, May 2016, Boston, United States. pp.1071 - 1075, ⟨10.21437/speechprosody.2016-220⟩ (2016)
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3
Pitch-interval analysis of ‘periodic’ and ‘aperiodic’ Question+Answer pairs
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4
The Oxford handbook of music psychology
Hallam, Susan; Cross, Ian; Thaut, Michael. - Oxford : Oxford University Press, 2014-2016
MPI für Psycholinguistik
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5
The Oxford handbook of music psychology
Hallam, Susan; Cross, Ian; Thaut, Michael. - Oxford : Oxford University Press, 2014-
MPI für Psycholinguistik
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6
“Does not compute”? Music as real-time communicative interaction
In: AI & society. - Guildford : Springer-Verl. London 28 (2013) 4, 415-430
OLC Linguistik
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7
Language and music as cognitive systems
Rebuschat, Patrick; Rohrmeier, Martin; Hawkins, John A.. - Oxford : Oxford Univ. Press, 2012
Leibniz-Zentrum Allgemeine Sprachwissenschaft
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8
Cognitive science and the cultural nature of music
In: Topics in cognitive science. - Hoboken, NJ [u.a.] : Wiley 4 (2012) 4, 668-677
BLLDB
OLC Linguistik
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9
Language and music as cognitive systems
Cross, Ian (Hrsg.); Hawkins, John A. (Hrsg.); Rebuschat, Patrick (Hrsg.). - Oxford [u.a.] : Oxford Univ. Press, 2012
BLLDB
UB Frankfurt Linguistik
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10
Music, language, and human evolution
Cross, Ian; Bannan, Nicholas (Hrsg.); Trân, Quang Hai. - Oxford : Oxford Univ. Press, 2012
BLLDB
UB Frankfurt Linguistik
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11
Music as an emergent exaptation
In: Music, language, and human evolution (Oxford, 2012), p. 263-276
MPI für Psycholinguistik
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12
Music as a social and cognitive process
In: Language and music as cognitive systems (Oxford, 2012), p. 315-328
MPI für Psycholinguistik
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13
Language and music as cognitive systems
Rebuschat, Patrick; Rohrmeier, Martin; Hawkins, John A.. - Oxford : Oxford University Press, 2012
MPI für Psycholinguistik
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14
Artificial Grammar Learning of Melody Is Constrained by Melodic Inconsistency: Narmour's Principles Affect Melodic Learning
In: PLoS (2012)
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15
The Oxford handbook of music psychology
Hallam, Susan; Cross, Ian; Thaut, Michael H.. - Oxford : Oxford University Press, c2009
MPI für Psycholinguistik
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16
The Oxford handbook of music psychology
Hallam, Susan; Cross, Ian; Thaut, Michael. - Oxford : Oxford University Press, 2009
MPI für Psycholinguistik
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17
Music as a communicative medium
In: The prehistory of language (Oxford, 2009), p. 77-98
MPI für Psycholinguistik
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18
Universals in music processing
Stevens, Catherine J.; Byron, Timothy P.; Hallam, Susan; Cross, Ian; Thaut, Michael. - : U.K, Oxford University Press, 2009
Abstract: In this chapter we outline areas of musical processing that may be universal to humans. Music here refers to temporally structured human activities, social and individual, in the production and perception of sound organized in patterns that convey non-linguistic meaning. Music processing refers to the neural contribution in perception, cognition and production of music.
Keyword: 1701 - Psychology; cognition; music; perception; psychology
URL: http://handle.uws.edu.au:8081/1959.7/488729
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19
The evolution of music : theories, definitions and the nature of the evidence
In: Communicative musicality (Oxford, 2008), p. 61-81
MPI für Psycholinguistik
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20
Music, cognition, culture, and evolution
In: The cognitive neuroscience of music (Oxford, 2003), p. 42-56
MPI für Psycholinguistik
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