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All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year AND OR AND NOT All fields Title Creator / Publisher Keyword Year Sort by creator [A → Z]' creator [Z → A]' publishing year ↑ (asc)' publishing year ↓ (desc)' title [A → Z]' title [Z → A]' Simple Search Hits 1 – 8 of 8 1 The Ainu in documentary films: promiscuous iconography and the absent image Centeno Martin, Marcos Pablo. - : Blackwell, 2022 BASE Show details 2 Hideaki Fujiki and Alastair Phillips (eds), The Japanese Cinema Book. London: The British Film Institute, Bloomsbury, 2020, 624 pp Centeno Martin, Marcos Pablo. - : Oxford Journals, 2021 BASE Show details 3 Cine documental japonés: de los orígenes a la Guerra del Pacífico (1897-1945) Centeno Martin, Marcos Pablo. - : Caligrama Editorial, 2021 BASE Show details 4 1968 and rural Japan as a site of struggle. Approaches to rural landscapes in the history of Japanese documentary film Centeno Martin, Marcos Pablo. - : Taylor & Francis, 2021 BASE Show details 5 Vacíos de la bomba atómica. El Memorial por la Paz de Hiroshima como lugar de ritual. Centeno Martin, Marcos Pablo. - : Universitat de València, 2021 BASE Show details 6 Developments in Japanese documentary film Centeno Martin, Marcos Pablo; Raine, M.. - : Multidisciplinary Digital Publishing Institute, 2020 BASE Show details 7 Dialectics of the Goddess in Japanese Audiovisual Culture, Lorenzo J. Torres Hortelano (ed.) (2018) Lanham, MD: Lexington Books Centeno Martin, Marcos Pablo. - : Intellect, 2019 BASE Show details 8 Deceiving ‘Primitivism’. Ainu people in 1910s Travelogues Centeno Martin, Marcos Pablo. - : Faculty of Foreign Languages and Literature, Dimitrie Cantemir Christian University, 2018 Abstract: This work assesses the representation of the Ainu people through the early travelogues made in Japan during the 1910s, focusing on those made by Benjamin Brodsky. Considering filmic representation of the Ainu people in relation to their social context, the analysis reveals how these images projected a deceptive ethnicity belonging to a time prior to the moment they were filmed. Filmmakers created an imagery of the “primitive Ainu” aimed at attracting a Western audience by showing an exoticism of a cultural and geographically distant people. These images projected ahistorical views of the Ainu, concealing their adaptation to modern life and assimilation to the Japanese culture and way of life. A critical approach to these captivating images reveals the premeditated construction of Ainu ethnicity and casts doubt on the validity of these moving images as a social witness. Keyword: Cultures and Languages (to 2020) URL: https://eprints.bbk.ac.uk/id/eprint/26613/ https://eprints.bbk.ac.uk/id/eprint/26613/1/CENTENO.%20DECEIVING%20PRIMITIVISM.%20Anale%20FLLS%20no.%201%202018.%20PUBLISHED%20ARTICLE.pdf https://www.aflls.ucdc.ro/doc/Anale%20FLLS%20no.%201%202018.pdf BASE Hide details

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