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Sanfte Zitrone. Die Erstgeborene ; Soft lemon. The Firstborn ; Dulce limón. La primogénita ; Citron doux. L’Aînée ; Dolce limone. La primogenita ; Suave limão. A primogênita
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In: ISSN: 0963-9489 ; EISSN: 1469-9869 ; Modern and Contemporary France ; https://hal.archives-ouvertes.fr/hal-03610515 ; Modern and Contemporary France, Taylor & Francis (Routledge), 2022, pp.1-2. ⟨10.1080/09639489.2022.2030692⟩ (2022)
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| 2 |
PHOTOGRAPHS OF THE WORLD AFTER ; PHOTOGRAPHIES DU MONDE D'APRÈS
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In: Fabula / Les colloques ; https://hal.archives-ouvertes.fr/hal-03595817 ; Fabula / Les colloques, Fabula, 2022 (2022)
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Pier Paolo Pasolini e Roland Barthes Tracce fotografiche di un dialogo mancato ...
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Forensic Facial Comparison: Current Status, Limitations, and Future Directions
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In: Biology; Volume 10; Issue 12; Pages: 1269 (2021)
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| 7 |
Putting metaphor centre stage : a case study of Alison Landsberg's 'Prosthetic Memory'
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| 8 |
Painting with words: describing women in photography ; Pintando con palabras: la descripción de mujeres en la fotografía
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| 9 |
Super-recognisers: some people excel at both face and voice recognition
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| 11 |
Corpo que fala: uma análise dos sentidos sobre o abuso na série Bom Dia, Verônica (2020), de Raphael Montes
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| 12 |
Análisis de las visiones de jóvenes indígenas peruanos en torno al ecofeminismo y el buen vivir a través de la técnica photovoice
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| 13 |
La soledad como sentimiento esencial: una revisión artística y una propuesta personal.
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| 14 |
“An American Sun Shines Brighter”: Art, Science, and the American Reinvention of Photography
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In: Bryn Mawr College Dissertations and Theses (2020)
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Abstract:
When and where was photography invented? Received knowledge tells us that a few European men of distinction invented the medium sometime around 1839. This dissertation de-centers this origin story to include the United States, where artisans, chemists, and instrument-makers effectively reinvented photography, transforming it from a scientific curiosity into an instantaneous image and a mass-reproducible commodity. In the antebellum US, a culture of public science and democratic network building cultivated a collaborative community of artisans and scientists skilled at the manipulation of the material world as federal projects like the US Mint and the postal service encouraged the circulation of images and information also fostered crucial developments in photographic technology. This history illustrates how cultures of American science and art were less dialectical pairs than mutually imbricated practices and how, in this context, we may conceive of the daguerreotype as a product of artisanal labor and as part of a democratic community of instruments deployed in order to connect an ever-expanding United States. The dissertation consists of five chapters arranged chronologically. Chapters One and Two examine the work of figures including the instrument-maker Joseph Saxton, metallurgist Robert Cornelius, and the chemist John W. Draper, who buttressed photographic development through photochemical experimentation and artisanal refinements. Chapters Three and Four address the American art of portrait photography and how the professional portrait studio served as both a site of racial suppression and democratic relationality. In these chapters I examine the images and writings of the craniologist Samuel Morton, the photographer Marcus Aurelius Root, and the orator and anti-slavery advocate Frederick Douglass. Chapter Five examines Eadweard Muybridge’s Animal Locomotion (1887) as a key moment of departure from an understanding of photographic practice as a skilled craft, to a new perception of the medium as an amateur pastime and scientific tool in the form of the instantaneous snapshot. Finally, in a gesture toward the present, I offer a coda examining Chris McCaw’s Sunburn series, which I suggest illustrates how the medium’s chemical and artisanal past has come to serve a renewed aesthetics of fine art photography in the twenty-first century.
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Keyword:
American Art and Architecture; and Archaeology; Architecture; History of Art; Photography
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URL: https://repository.brynmawr.edu/dissertations/217
https://repository.brynmawr.edu/cgi/viewcontent.cgi?article=1215&context=dissertations
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| 15 |
Landscape Entanglements: Toward a Descriptive Project for Planning Research
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In: Berkeley Planning Journal, vol 31, iss 1 (2020)
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| 16 |
Desarrollo de la competencia lingüística desde la educación ambiental y la fotografía ; Development of linguistic competence through environmental education and photography
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| 17 |
Making Chó bò*: Troubling Việt speak : Collaborating, translating, and archiving with family in Australian contemporary art. ...
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| 18 |
Exploring Intimacy in Collaborative Photographic Narratives of Breast Cancer
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In: Humanities ; Volume 9 ; Issue 1 (2020)
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| 20 |
V for vivienda, V for viñeta: Housing policy and spaces for living in Spanish comics and graphic novels
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