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THIS BODY IS AN ABSTRACTION: A Bilingual Anthology of Contemporary Puerto Rican Poetry
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In: Embargoed Honors Theses, University of Nebraska-Lincoln (2022)
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A discovery of sentence patterns and phonemic symbolism in GU Cheng's poems ; 顧城詩的語法形式和音位符號系統之探勘
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In: ISSN: 1993-1638 ; Journal of Chinese Language and Literature of National Taipei University ; https://hal.archives-ouvertes.fr/hal-03288546 ; Journal of Chinese Language and Literature of National Taipei University, Department of Chinese Literature (National Taipei University, NTPU), 2021, 29, pp.113-158 ; http://www.cl.ntpu.edu.tw/journal/ (2021)
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"New Alchimie": Reading John Donne's "Nocturnall" Through Poems by Kimberly Johnson and Alice Fulton ...
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Antiquarianism Underground: The Twentieth-century Alliterative Revival in American Genre Poetry ...
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Writing Utopia Now
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In: Studies in Arts and Humanities ; 5 ; 1 ; 40-48 ; Utopian Acts (2021)
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En busca de la juventud perdida, reconciliación y desagravio en Carta al padre de Jesús Aguado
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In: Languages, Literatures, and Linguistics (2021)
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Teoría cognitiva y construcción textual del poema : patrones rítmicos y representación semántica
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Hacia una dialogía feminista: Los salmos fosforitos de Berta García Faet (2017) como reescritura de Trilce
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In: 452ºF. Revista de Teoría de la literatura y Literatura Comparada; No 24 (2021): Ciència ficció, gènere i exclusió; 180-197 ; 452ºF. Revista de Teoria de la Literatura i Literatura Comparada; No 24 (2021): Ciència ficció, gènere i exclusió; 180-197 ; 452ºF. Journal of Literary Theory and Comparative Literature; No 24 (2021): Ciència ficció, gènere i exclusió; 180-197 ; 452ºF Literaturaren Teoria eta Literatura Konparatua aldizkaria; No 24 (2021): Ciència ficció, gènere i exclusió; 180-197 ; 2013-3294 (2021)
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La chispa de la rima: rasgos de oralidad en la poesía española reciente
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A poesia de Herberto Helder entre os índios Caxinauás e a contemporaneidade brasileira
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A discovery of sentence patterns and phonemic symbolism in GU Cheng's Poems ; 顧城詩的語法形式和音位符號系統之探勘
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In: https://hal.archives-ouvertes.fr/hal-03035031 ; 2020 (2020)
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The sonic text: translingualism and transmediality in contemporary poetic practices ...
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Making Chó bò*: Troubling Việt speak : Collaborating, translating, and archiving with family in Australian contemporary art.
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Quand proférer, c’est faire : resignifications des filles « ingouvernables » chez Josée Yvon, Chloé Savoie-Bernard et Catherine Lalonde
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Postcolonial identity in Yurii Andrukhovych’s poetry: landscapes and dislocation
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Borysiuk, Iryna. - : University of Maribor, Department of Slavic Languages and Literatures, 2020
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Wāhine: antologia annotata di poetesse neozelandesi contemporanee in traduzione italiana ; Wāhine: an Annotated Anthology of Contemporary New Zealand Women Poets in Italian Translation
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Abstract:
This thesis is a case study in literary translation. It consists of a creative component (60%) — an anthology of contemporary New Zealand women poetry translated into Italian — and a critical component (40%) — an interdisciplinary commentary outlining the historical, linguistic, cultural, literary and translational aspects underpinning my work as editor, literary translator and scholar. My interest in New Zealand literature began with my Master’s thesis, when reading Keri Hulme’s 1985 Booker Prize winning novel the bone people exposed me to the linguistic and cultural specificities of literary works produced in Aotearoa/New Zealand. This interest was further ignited by reading Marinella Rocca Longo’s pioneering study of New Zealand poetry, La poesia neozelandese dalle origini inglesi ai contemporanei, published in 1977. To this day, Hulme’s novel remains untranslated in Italian and Rocca Longo’s monograph is the only comprehensive study about New Zealand poetry for an Italian-speaking readership, one with which I have engaged constructively and critically in the course of my studies. This doctoral thesis thus combines translation and poetry. More specifically, it asks itself what it means to translate contemporary New Zealand women poets into Italian. This choice is motivated by three aims, which complement the wider ambition to make New Zealand writing better known to Italian readers: to better reflect the ethnic richness of New Zealand literature; to highlight the major role played by women in developing and expanding New Zealand poetry; to discuss translation theory from a post-colonial and feminist viewpoint. These factors are reflected in the structure and contents of this thesis. A historical overview of New Zealand literature in general and of New Zealand poetry in particular as an example of post-colonial literature is followed by a discussion on which theories and practices of translation are ethically as well as aesthetically the most appropriate for the translation of post-colonial poetry written by women. The comprehensive anthology I have compiled and the commentary that accompanies it bring this discussion to life, celebrating not only the creative and scholarly contribution of the translator as an intercultural negotiator, but also the ethical responsibility underscoring this task. The opportunity to undertake this research in Aotearoa/New Zealand has made this study particularly intense as well as personal, as I negotiated and renegotiated the space between theory and practice, pushing myself to expand and deepen the choices a translator is called to make as a reader, as an interpreter, as a critic, and as a writer. I hope that this goal has been achieved in the negotiation between the theoretical, scholarly and creative parts of this project that are embodied in the outcome of this thesis.
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Keyword:
Bilingual; Contemporary Women Poets; Italian; New Zealand; Poetry; Translation; Translation Studies
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URL: http://hdl.handle.net/10063/9286
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The lyrical chords of poetry in Salgado Maranhão ; Os acordes líricos da obra poética em Salgado Maranhão
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In: Acta Scientiarum. Language and Culture; Vol 42 No 1 (2020): Jan.-June; e48438 ; Acta Scientiarum. Language and Culture; v. 42 n. 1 (2020): Jan.-June; e48438 ; 1983-4683 ; 1983-4675 (2020)
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In kind : the enactive poem and the co-creative response
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Errington, Patrick. - : University of St Andrews, 2019. : The University of St Andrews, 2019
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