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Theater and Peacebuilding in Post-Conflict Settings: Participants’ Experiences in the Morning Star Theater Program in South Sudan
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In: Antioch University Full-Text Dissertations & Theses (2022)
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| 2 |
Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 3 |
Tusha Hiti: The Origin and Significance of the Name
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 4 |
Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 5 |
Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 6 |
Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 7 |
UNO at Edinburgh: Devised Physical Theatre in Cross-Cultural Contexts
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In: Student Research and Creative Activity Fair (2020)
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Abstract:
European Theatre has been exploring movement-based devised processes for decades but it has not taken a significant hold in the U.S. One possible explanation is the plurality of cultural contexts in close proximity in Europe as compared to a more homogenous cultural landscape in the U.S. Physicality, that is, the language of movement, is useful in dramatic performance where cultural or linguistic barriers would otherwise hinder the audience's ability to understand and connect. Little Wars is an original piece of devised physical theatre developed at UNO, and brought to the Edinburgh Fringe Festival in Scotland. The Fringe is one of the largest and most diverse theatre festivals in the world, and was the ideal location to test the hypothesis of whether physicalized storytelling is able to transcend cultural barriers to create emotional connections with diverse audiences. Using anonymous survey data, 650 respondents from both Omaha, NE and the Edinburgh Fringe were asked to comment on their narrative comprehension, emotional response, and their overall connection to the performance. Responses show a significant level of agreement across cultural and national boundaries, as well as relative levels of theatrical experiences.
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Keyword:
Other Theatre and Performance Studies
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URL: https://digitalcommons.unomaha.edu/srcaf/2020/schedule/142
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| 8 |
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 9 |
Why I Write in Yiddish
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 10 |
Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 11 |
Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 12 |
Kofifi/Covfefe: How the Costumes of "Sophiatown" Bring 1950s South Africa to Western Massachusetts in 2020
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In: Masters Theses (2020)
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| 13 |
Moon Over Buffalo Playbill
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In: Playbill and Promotion (2019)
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| 14 |
The Performance of Racialized Bodies and Brecht’s Operatic Anthropology
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In: World Languages and Cultures Publications (2019)
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| 15 |
The lighting programmer as creative collaborator
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In: Behind the Scenes: Journal of Theatre Production Practice (2019)
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| 16 |
On Editing Jacinto Cordeiro's Los doce de Ingalaterra
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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| 17 |
Constructed Languages and Their Role in Drama
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In: Honors Theses and Capstones (2019)
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| 18 |
Pura Belpré’s Puppetry at the NYPL Children’s Rooms: 1921-1982
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In: Living Objects: African American Puppetry Essays (2019)
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| 19 |
Subjectivity, Institutions and Language in Contemporary Israeli Film
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In: CLCWeb: Comparative Literature and Culture (2019)
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| 20 |
Mimicry: A Short Play
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In: Journal of Southeast Asian American Education and Advancement (2019)
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