| 1 |
Theater and Peacebuilding in Post-Conflict Settings: Participants’ Experiences in the Morning Star Theater Program in South Sudan
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In: Antioch University Full-Text Dissertations & Theses (2022)
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| 2 |
Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 3 |
Tusha Hiti: The Origin and Significance of the Name
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 4 |
Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 5 |
Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 6 |
Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 7 |
UNO at Edinburgh: Devised Physical Theatre in Cross-Cultural Contexts
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In: Student Research and Creative Activity Fair (2020)
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| 8 |
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 9 |
Why I Write in Yiddish
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 10 |
Poetry in Response to the “Disengagement Plan”: Identity, Poetics and Politics
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 11 |
Readymade or Made [to be] Ready, Replicant or Surplus: Social Reproduction and the Biopolitics of Abstraction Prefigured in Contemporary Art
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In: CLCWeb: Comparative Literature and Culture (2020)
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| 12 |
Kofifi/Covfefe: How the Costumes of "Sophiatown" Bring 1950s South Africa to Western Massachusetts in 2020
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In: Masters Theses (2020)
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| 13 |
Moon Over Buffalo Playbill
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In: Playbill and Promotion (2019)
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| 14 |
The Performance of Racialized Bodies and Brecht’s Operatic Anthropology
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In: World Languages and Cultures Publications (2019)
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| 15 |
The lighting programmer as creative collaborator
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In: Behind the Scenes: Journal of Theatre Production Practice (2019)
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| 16 |
On Editing Jacinto Cordeiro's Los doce de Ingalaterra
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2019)
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Abstract:
We can summarize the little that is known about Portuguese playwright and poet Jacinto Cordeiro as follows: He was born in Lisbon, reportedly in 1606. He was a humanist with a penchant for poetry and theater. Cordeiro published his first piece, La entrada del Rey en Portugal when he was only 15 years old, assuming he was indeed born in 1606. He lived in the Dual Monarchy, a time when the Spanish and Portuguese thrones were united under Habsburg rule, when Portuguese writers adopted Castilian as the language of letters. His literary achievements include a response to Lope de Vega’s Laurel de Apolo, called Elogio de poetas lusitanos (1631), a supplementary list of Portuguese authors excluded from Lope’s Laurel. Additionally, he was a soldier who supported the cause of Portuguese independence before his death in 1646. His literary output places him among the rank of secondary authors who wrote in the shadows of luminaries like Lope and Calderón. Additionally, he is a member of the largely ignored group of Lusitanians who vied for a space on Iberian stages by competing in a second language. This paper discusses the rewards and challenges of wading into the vast ocean of unedited comedias to create modern and critical editions of the work of authors like Jacinto Cordeiro. It highlights, for example, the difficulties associated with editing a bilingual author whose Portuguese sometimes seeped into his Spanish. Finally, I argue that reviving these plays gives comedia scholars a more complete and inclusive account of the diversity of voices that populated corrales in the 16th and 17th Centuries.
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Keyword:
Agricultural and Resource Economics; Comedia; Comparative Literature; Early Modern; European Languages and Societies; Golden Age; Modern Languages; Other Theatre and Performance Studies; Portugal; Portuguese Literature; Spanish and Portuguese Language and Literature; Spanish Literature; Textual Criticism; Theater; Theatre History
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URL: https://digitalcommons.georgiasouthern.edu/seccll/2019/2019/45
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| 17 |
Constructed Languages and Their Role in Drama
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In: Honors Theses and Capstones (2019)
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| 18 |
Pura Belpré’s Puppetry at the NYPL Children’s Rooms: 1921-1982
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In: Living Objects: African American Puppetry Essays (2019)
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| 19 |
Subjectivity, Institutions and Language in Contemporary Israeli Film
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In: CLCWeb: Comparative Literature and Culture (2019)
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| 20 |
Mimicry: A Short Play
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In: Journal of Southeast Asian American Education and Advancement (2019)
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