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Imagining Performances: Entangled Temporalities and Corporalities in Drag King Encounters
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In: The Oxford Handbook of Language and Sexuality ; https://halshs.archives-ouvertes.fr/halshs-03648889 ; The Oxford Handbook of Language and Sexuality, 2022, ⟨10.1093/oxfordhb/9780190212926.013.71⟩ (2022)
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Theater and Peacebuilding in Post-Conflict Settings: Participants’ Experiences in the Morning Star Theater Program in South Sudan
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In: Antioch University Full-Text Dissertations & Theses (2022)
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Maloya dance and music: Réunionese Créole togetherness
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In: Theses: Doctorates and Masters (2022)
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Performing Class: Domestic Labor in Working-Class Modernism ...
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| 7 |
Vedantic Basis and Praxis of the Integral Advaita of Sri Aurobindo
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In: Monsoon: South Asian Studies Association Journal (2022)
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Tusha Hiti: The Origin and Significance of the Name
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In: Monsoon: South Asian Studies Association Journal (2022)
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Diversity, Equity, and Inclusion: Perspectives from Contemporary India and 6th Century Jain Yoga
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In: Monsoon: South Asian Studies Association Journal (2022)
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Ganges in Indian Sculpture and Literature: Mythology and Personification
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 11 |
Digital and Spatial Humanities Mapping: Eurasia-Pacific Early Trade and Belief Linkages
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In: Monsoon: South Asian Studies Association Journal (2022)
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| 12 |
Two Sides of Intelligibility: The Practice and Perception of Performed Accents Onstage
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| 13 |
Russia-My History: The Amazing Transformations of a History Exhibit in Post-Crimean Russia
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In: Doctoral Dissertations (2022)
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Abstract:
This dissertation examines Russia—My History, a recent state-affiliated multimedia exhibit, as a case study in post-imperial and postsocialist nation building at a critical juncture in Russian history. In 2014, Russia annexed the Ukrainian peninsula of Crimea. The ensuing controversy, both at home and abroad, called for a new vision of Russia’s political community and its history. Russia—My History answered that call. Started in 2013 as a Church-affiliated temporary exhibit on one of Russia’s royal dynasties, after the annexation, My History grew and transformed into a countrywide chain of 25 permanent “history parks,” covering “all” of Russian history and formally approved by the Ministry of Education as an interactive supplement to the public-school curriculum in history. Despite the strong appearance that My History is a top-down, state-led nation-building project, a closer analysis reveals a different view. I argue that My History has been produced—with the support of the state—by an informally connected network of “patriotically-minded” political entrepreneurs promoting somewhat different ideological projects and allied in opposition to the Western liberal order. My dissertation examines My History as both the product of this collaboration—a diachronic vision of Russia’s political community—and as an illustration of the paradoxical and contingent ways in which this community is constructed in the contentious post-Crimean era. The study is based on several rounds of ethnographic and digital-ethnographic fieldwork and brings together theories of nationalism and empire, Foucauldian genealogy, performance studies, and Bakhtinian narrative analysis. The purpose of the study is to deconstruct My History, retracing the institution’s genealogy and its product’s continuous revisions. The dissertation offers three analytical chapters, which answer three seemingly simple questions: who made My History; what stories it tells; and how it tells these stories. The first chapter examines My History as a cultural institution that gradually emerges at the intersection of interests promoted by state and non-state actors and in response to changing political circumstances. The other two explore the simultaneous transformations of My History’s fragmented museum performances and narratives, which reveal their authors’ conflicting ideologies and projects and illustrate political struggle hidden behind the imposing façade of a state-affiliated institution.
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Keyword:
Bakhtinian dialogism; Communication Technology and New Media; Critical and Cultural Studies; Eastern European Studies; Foucauldian genealogy; Linguistic Anthropology; museum studies; Organizational Communication; performance studies; Political Theory; politics of history; Public History; Russian nation building; Social and Cultural Anthropology; Social Influence and Political Communication; Soviet and Post-Soviet Studies
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URL: https://scholarworks.umass.edu/dissertations_2/2441
https://scholarworks.umass.edu/cgi/viewcontent.cgi?article=3534&context=dissertations_2
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| 14 |
Language, Internet and Platform Competition
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In: ISSN: 0022-1996 ; Journal of International Economics ; https://hal.archives-ouvertes.fr/hal-03081660 ; Journal of International Economics, Elsevier, 2021 (2021)
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| 15 |
A Polite and Respectful Acceptance —— Implicit Function of Refusal in Chinese from Pedagogical Perspective
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In: Chinese Language Teaching Methodology and Technology (2021)
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« Talking Back to Virginia Woolf in Her Own Words: Gendered, Racial and Literary Passing as Forms of Counter-Interpellation in Kabe Wilson’s “Dreadlock Hoax” »
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In: Reception: Contemporary Perspectives/ La réception, perspectives contemporaines ; https://hal.archives-ouvertes.fr/hal-03270743 ; Reception: Contemporary Perspectives/ La réception, perspectives contemporaines, Cécile Beaufils; Anne-Valérie Dulac; Jagna Oltarzewska; Diane Drouin; Maxence Gouleau, Jun 2021, Paris, Sorbonne Université (en ligne), France (2021)
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| 17 |
Towards principles of performative pedagogy: Drama and additional language development (DALD) ...
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| 18 |
Towards principles of performative pedagogy: Drama and additional language development (DALD) ...
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| 19 |
Women in White: Performing White Femininity from 1865-Present ...
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Walker, Jonelle. - : Digital Repository at the University of Maryland, 2021
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Agents and Actors Alike: On the Hidden Theatre of Espionage ...
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