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Extracting Arabic causal relations using linguistic patterns
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An architecture to support ultrasound report generation and standardisation
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Getting under the skin-whitening cultures : discourses, rhetoric and representations across text types and media in Taiwan in the early 21st century
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British Chinese short films : challenging the limits of the Sinophone
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Abstract:
In an article published in a special issue of the Journal for Chinese Cinemas, considering the possibility of shifting transnational Chinese film studies from a diasporic framework to a Sinophonic one, we argued for the retention of the former against the latter on grounds that the notion of diaspora continues to speak to the historical and geographical dimensions of Chinese cinemas outside of China, whereas the notion of the Sinophone, delineated according to linguistic communities, may further marginalise non-Chinese-language Chinese film-making, such as films addressing the British-born Chinese experience (Chan and Willis, 2012). In that article we discussed two relatively unknown, but nevertheless significant, feature films made by or about British Chinese people: Ping Pong (dir. Po-chih Leong, 1986) and Soursweet (dir. Mike Newell, 1988). In this chapter, we extend the argument further by offering an analysis of four short films produced in the UK: Chinese Whispers (dir. David Yip, 2000), Blue Funnel (dir. Paul Mayeda Berges, 1997), Red (dir. Rosa Fong, 1995), and Granny’s Ghost (dir. Lab Ky Mo, 2008). Each of these works, despite their limited exposure at film festivals and occasionally on television, clearly speak to the challenges of minority cultural representation in British film-making.
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Keyword:
Digital Technology and the Creative Economy; Media; Memory; Text and Place
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URL: https://doi.org/10.1057/9781137311207_10 http://usir.salford.ac.uk/id/eprint/32799/
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Busting taboos : using idiomatic and linguistic subtleties in undressing questions of sociocultural amorality in Malaysian cinema
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Projecting the voice : audience responses to ICT-mediated contemporary opera
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From computer assisted language learning (CALL) to mobile assisted language use
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Computer assisted language learning (CALL): Asian learners and users going beyond traditional frameworks
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Articulating British Chinese experiences on-screen: 'soursweet' and 'ping pong'
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Blind estimation of reverberation time in classrooms and hospital wards
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The neural string network: An interactive collaborative drawing ‘machine’
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"Golden venture", National Waterfront Museum, the National Industrial Museum of Wales, Swansea
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Evaluation of human-like anthropomorphism in the context of online bidding and affordances
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