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104
Hits 1 – 20 of 2.064
1
Shakespeare at the Crossroads of Race, Language, and American Empire
Richter, Stephen
. - : eScholarship, University of California, 2022
BASE
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2
Theater and Peacebuilding in Post-Conflict Settings: Participants’ Experiences in the Morning Star Theater Program in South Sudan
Akandiinda, Shiphrah Mutungi
In: Antioch University Full-Text Dissertations & Theses (2022)
BASE
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3
How shared meanings and uses emerge over an interactional history: wabi sabi in a series of theater rehearsals
Deppermann, Arnulf
[Verfasser];
Schmidt, Axel
[Verfasser]. - Mannheim : Leibniz-Institut für Deutsche Sprache (IDS), Bibliothek, 2021
DNB Subject Category Language
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4
"Die Busstation" von Gao Xingjian und seine Theorie für das chinesische Avantgarde-Theater : Die Begegnung mit dem westlichen Drama
Zhao, Zhao
[Verfasser]. - München : GRIN Verlag, 2021
DNB Subject Category Language
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5
Nach der Postdramatik : Narrativierendes Text-Theater bei Wolfram Lotz und Roland Schimmelpfennig
Hansen, Simon
[Verfasser]. - Bielefeld : transcript Verlag, 2021
DNB Subject Category Language
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6
Language and power on the rhetorical stage : theory in the body
Ramsby, Fiona Harris
. - London : Routledge, 2021
BLLDB
UB Frankfurt Linguistik
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7
Traduction et transmédialité : (XIXe-XXIe siècles)
Platelle, Fanny
(Herausgeber);
Loisel, Gaëlle
(Herausgeber). - Paris : Lettres modernes Minard, 2021
BLLDB
UB Frankfurt Linguistik
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8
All the World’s a Stage: Improvisational Theater and Engagement in Newcomer English Learners
Metz, David Patrick
. - : eScholarship, University of California, 2021
BASE
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9
Walled In: A Subversive Classic
Cordova, Armando Rey
. - : eScholarship, University of California, 2021
BASE
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10
A Teaching and Stage Artist’s Perspective of Paulo Freire’s Dialogical Method
Fegan, Rebekah Lin
. - : eScholarship, University of California, 2021
Abstract:
Theatre, like academia, often operates within an elitist institutional model focused on the capitalistic foundation of product over process. Theories and practices have evolved within these systems to further support and enable hierarchy, bureaucracy, and white supremacy. In an environment where art and artistry is at the soul of collaborative relationships and authentic communication, this type of model is unsustainable, limiting, and toxic to creativity. My research, which centers the belief that teachers, like Stage Managers, are artists, examines the connection between those in positions of leadership and the institutions in which they operate, and how holding space for critical, individual thought, advocating for equity of the oppressed, and re-designing the container (the classroom and the rehearsal room) further challenge established norms and breaks down these systems from within.Freire’s critique of the banking model in his book “Pedagogy of the Oppressed” (Freire, 1970), decries how a teacher (or mentor, or leader) is meant to impart knowledge on the empty vessel mentee, maintaining their status as “master” throughout the inevitably oppressive dynamic. This model denies creativity by implying that there is one singular answer, that conversation is a technique, and that the answer is the end point. Freire instead argues that conversation is part of the process towards creativity and enlightenment. His dialogical method of teaching upholds that everyone carries experience, that conversation encourages an equitable exchange of ideas, and that empowering non-oppressive relationships (whether with others or the self) are at the core of pedagogy. As an artist who is process focused, my most fulfilling and successful relationships have closely followed this model, and in my time researching and practicing the art of teaching, I have found that this model serves the artistry of different interdisciplinary practices. As a teacher of undergraduate students, I have actively practiced Freire’s dialogical method in my classroom, to which the students have responded positively to the effect of free-flowing, authentic, critical conversation, consistently high class attendance, and positive verbal and written feedback. I plan on incorporating Freire’s methods in my future classroom and stage management work, further exploring how I, as an artist, can continue to center process over product.
Keyword:
Stage Management
;
Theater
URL:
https://escholarship.org/uc/item/7bd6m8c0
BASE
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11
Magnetism, Electricity, Spiritualism : On the Imaginary of the Fluid in 19th Century French Theater ; Magnétisme, électricité, spiritisme : l'imaginaire du fluide dans le théâtre du XIXe siècle
Picot, Pauline-Marie
. - : HAL CCSD, 2021
In: https://tel.archives-ouvertes.fr/tel-03526480 ; Linguistique. Université de Lyon, 2021. Français. ⟨NNT : 2021LYSE2047⟩ (2021)
BASE
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12
Système nominal et acte de nommer dans des langues couchitiques parlées dans la Corne de l'Afrique
Simeone-Senelle, Marie-Claude
;
Mahamoud Hadji Ali, Fatouma
;
Hassan Kamil, Mohamed
. - : HAL CCSD, 2021
In: Journée d’études sur les langues sémitiques et couchitiques parlées dans la Corne de l'Afrique ; https://hal.archives-ouvertes.fr/hal-03480249 ; Marie-Claude Simeone-Senelle; Fatouma Mahamoud Hadji Ali; Mohamed Hassan Kamil. Journée d’études sur les langues sémitiques et couchitiques parlées dans la Corne de l'Afrique, Dec 2018, Djibouti, Djibouti. 1, 2021, Diversité des langues, 978-2-490768-04-2 ; https://lacito-publications.cnrs.fr (2021)
BASE
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13
Beyond Idiolectometry? On Racine's Stylometric Signature ; Au-delà de l'idiolectométrie? Sur la signature stylométrique de Racine
Gabay, Simon
In: Proceedings of the Conference on Computational Humanities Research 2021 ; Conference on Computational Humanities Research 2021 ; https://hal.archives-ouvertes.fr/hal-03402994 ; Conference on Computational Humanities Research 2021, Nov 2021, Amsterdam, Netherlands ; http://ceur-ws.org/Vol-2989 (2021)
BASE
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14
Lone pronoun tags in Early Modern English: ProTag constructions in the dramas of Jonson, Marlowe and Shakespeare
Mycock, Louise
;
Misson, James
In:
English language and linguistics. - Cambridge : Cambridge Univ. Press
25 (2021) 2, 379-407
BLLDB
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15
Women in White: Performing White Femininity from 1865-Present ...
Walker, Jonelle
. - : Digital Repository at the University of Maryland, 2021
BASE
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16
Agents and Actors Alike: On the Hidden Theatre of Espionage ...
Stevens, Fraser Morris
. - : Digital Repository at the University of Maryland, 2021
BASE
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17
التفسير الجدلي للأدب العربي، دراسة في المقامة والموشح والمسرح ...
محدادي
. - : Zenodo, 2021
BASE
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18
التفسير الجدلي للأدب العربي، دراسة في المقامة والموشح والمسرح ...
محدادي
. - : Zenodo, 2021
BASE
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19
Once Upon a Time in Ribeira Bote. Um Exemplo Prático de Comédia Popular Crioula
Fortes, Yannick Stiven
. - 2021
BASE
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20
Palavras em acção: influência das escritas de cena na produção de um projecto cinematográfico
Vaz, Luís Miguel Ribeiro Santo
. - : Instituto Politécnico de Lisboa - Escola Superior de Teatro e Cinema, 2021
BASE
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