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Reception of political concepts of the European Enlightenment in Russia of the XVIII century ... : Рецепция политических понятий европейского Просвещения в России XVIII столетия ...
Kokovin, I.S.. - : Вятский государственный университет, 2022
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PEDAGOGICAL AND ENLIGHTENING ACTIVITY OF MUHAMMAD AGHA SHAHTAKTLY ...
Aliyev, Rafael Mail. - : Zenodo, 2022
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PEDAGOGICAL AND ENLIGHTENING ACTIVITY OF MUHAMMAD AGHA SHAHTAKTLY ...
Aliyev, Rafael Mail. - : Zenodo, 2022
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Spectatoriale Geschlechterkonstruktionen: Geschlechtsspezifische Wissens- und Welterzeugung in den französisch- und spanischsprachigen Moralischen Wochenschriften des 18. Jahrhunderts
Völkl, Yvonne. - : transcript Verlag, 2022. : DEU, 2022. : Bielefeld, 2022
In: Gender Studies ; 355 (2022)
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La recepción de las ideas poéticas de Horacio entre la Ilustración y el Romanticismo ; The Reception of Horace’s Views on Poetry Between the Enlightenment and Romanticism
In: Cuadernos De Ilustración y Romanticismo, (27), 519-534 (2022)
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La botanique dans les dictionnaires du français classique
In: ISSN: 0075-966X ; La Linguistique ; https://hal-univ-paris.archives-ouvertes.fr/hal-03184022 ; La Linguistique, Presses Universitaires de France, 2021, La vulgarisation dans les dictionnaires et encyclopédies, p. 15-37 ; https://www.cairn.info/revue-la-linguistique-2021-1-page-15.htm (2021)
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СЭМЮЭЛ ДЖОНСОН VS ДЭВИД ЮМ: ПРОТИВОСТОЯНИЕ «КУЛЬТУРЫ ДУХА» И «КУЛЬТУРЫ РАЗУМА» ... : Samuel Johnson vs David Hume: Confrontation of the «Culture of Spirit» and the «Culture of Reason» ...
Косых, Т.А.. - : ООО "Аквилон", 2021
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8
Language and psychology
Silvestre, João Paulo. - : Bloomsbury Academic, 2021
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Диалектический материализм как необходимое условие продолжения гуманизма ; Revival of Dialectical Materialism as a Necessary Condition for the Continuation of Humanism
Ганцевич, А. М.; Gantsevitch, A.. - : Уральский федеральный университет, 2021
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10
The Nostrums of Common Sense
In: International Gramsci Journal (2021)
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11
A study of English Writing Test in Senior High School Entrance Examination on English Writing Teaching
In: Studies in Literature and Language; Vol 23, No 1 (2021): Studies in Literature and Language; 68-71 ; 1923-1563 ; 1923-1555 (2021)
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12
1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 25)
In: Bucknell University Press (2020)
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13
Distant Spectators: Distant Reading for periodicals of the Enlightenment ...
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Distant Spectators: Distant Reading for periodicals of the Enlightenment ...
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15
Rabelais pastiché ... : Satires inédites contre le Régent Philippe d’Orléans (1715-1723) ...
Cooper, Richard. - : Classiques Garnier, 2020
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Νεολογισμοί σε κείμενα Ελλήνων Διαφωτιστών ...
Ελευθεριάδου, Ειρήνη Γεωργίου. - : Aristotle University of Thessaloniki, 2020
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17
Bildungspraktiken der Aufklärung
In: Journal für Kultur und Geschichte der Deutschen im östlichen Europa (JKGE) / Journal for culture and history of the Germans in Eastern Europe ; 1 ; 233 (2020)
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18
Kinesthetically Speaking: Human and Animal Communication in British Literature of the Long Eighteenth Century
Laitinen, Dana Jolene. - : Digital Commons @ University of South Florida, 2020
In: Graduate Theses and Dissertations (2020)
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19
The Enlightenment of Affective Filter Hypothesis and Risk-Taking on English Learning
In: Studies in Literature and Language; Vol 20, No 2 (2020): Studies in Literature and Language; 51-57 ; 1923-1563 ; 1923-1555 (2020)
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20
「迷•悟」山間-蠟彩與水墨創作研究 ; 「Lost•Realization」in the Mountains―Encaustic and Ink Creation Research
Abstract: 本創作論述以筆者對自我、心靈為出發,從美學、哲學、心理學等觀點,探討觀山與自我內心的心靈對話,從自我的生命歷程中,發掘心靈空間的迷失與領悟,藉由水墨與蠟彩的特性,進行創作。 在本論述中,將分為四個章節來討論,第一章緒論,談論本研究的動機、目的、研究方法、研究範圍、研究架構與名詞釋義等,闡明本論述的創作方向及目標。第二章學理基礎,藉由文獻的蒐集與分析,談到與本創作相關的心理學說、中西方哲學及現代水墨藝術家等影響。第三章的創作理念與技法運用,將迷悟山間之創作理念,以蠟彩山水畫的繪畫形式進行創作研究。第四章的作品分析,主題分為兩大方向:「迷之山間」與「悟之山間」,說明創作內涵與表現形式。第五章結論,為本創作論述的總結與心得。 藝術創作是一種自我內涵的展現,透過創作的過程,能正視自我心靈最真實的一面,並在觀察自然生命的哲理中,找到與心靈契合的關係,讓我們對自心能更透徹、更覺醒,最終尋找到真正的自己。 ; This research starts with self and spirits, explores the internal conversation between observing mountains and the self from the perspective of aesthetics, philosophy and psychology. etc., discovers the loss and understanding of the spiritual space from the self life course, and creates by the features of ink painting and Encaustic. This research will be discussed in four chapters. The first chapter is Introduction, which introduces the motivation, purpose, research methods, research limitations, research structure and noun definition of this research, and clarifies the creative direction and goals of this research. The second chapter is Literature Review, which, through the collection and analysis of the literature, refer to the related influence of psychology, Eastern and Western philosophy and modern ink painting artists. The research concept and its application of techniques in the third chapter studies the creative concept between the Ignorance and the Enlightenment of the mountain in the form of paintings of Encaustic landscape paintings. The theme of the analysis in Chapter Four is divided into two major directions: the Ignorance of the mountain and the Enlightenment of the mountain, indicating the connotation and expression of the research. The fifth chapter concludes the summary of the Findings. Artistic creation is a kind of self revealing. Through the process of creation, we can face the true side of our own spirits, and find a relationship with the soul in the philosophy of observing natural life, so that we can be more thorough and awakened, and eventually find the true self.
Keyword: Ignorance;Enlightenment;observing mountains;Encaustic;Ink; 迷;悟;觀山;蠟彩;水墨
URL: http://140.127.82.166/handle/987654321/20069
http://140.127.82.166/bitstream/987654321/20069/1/107NPTU0616002-001.pdf
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