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Lire « en corps ». Lecture et écriture symptomatique de l'odeur de sainteté (1868-1901)
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In: La partie et le tout : Partitions et (re)compositions des corps au XIXe siècle – Actes de la Journée d’études des Doctoriales de la SERD (2020) ; La partie et le tout : Partitions et (re)compositions des corps au XIXe siècle – Journée d’études des Doctoriales de la SERD (2020) ; https://hal.archives-ouvertes.fr/hal-03173369 ; La partie et le tout : Partitions et (re)compositions des corps au XIXe siècle – Journée d’études des Doctoriales de la SERD (2020), Sociétés des Etudes Romantiques et Dixneuvièmistes, Jan 2021, Paris, France ; https://serd.hypotheses.org/7687 (2021)
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| 2 |
The Hidden Fairy Tale: Oskar Kokoschka’s Die träumenden Knaben
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In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 20, Iss 1, Pp 29-43 (2021) (2021)
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Décadence, Dekadenz, Dekadens: an interdiscursive exploration of decadence in German and Scandinavian literature and culture at the fin de siècle
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| 4 |
Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde
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| 5 |
The Fin-de-Siècle 'Femme Fatale' and the God Pan
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In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 16, Iss 2, Pp 29-44 (2018) (2018)
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| 6 |
Une formulation ancienne de la diglossie en arabe ? Luġat al-qawm vs luġat al-yawm d’Ibn Fāris (IVe/Xe siècle)
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In: Philologists in the World. A Festschrift in Honour of Gunvor Mejdell ; https://halshs.archives-ouvertes.fr/halshs-01676835 ; Nora S. Eggen & Rana Issa. Philologists in the World. A Festschrift in Honour of Gunvor Mejdell, The Institute for Comparative Research in Human Culture et Novus Forlag, pp.25-40, 2017 (2017)
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| 7 |
Le banquet de Rachilde
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In: Voix Plurielles; Vol 14 No 2 (2017); 92-102 ; Voix Plurielles; Vol. 14 No 2 (2017); 92-102 ; 1925-0614 (2017)
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| 8 |
Modernismo e insularidad: traducción y recepción del parnasse en Puerto Rico (siglo XIX) ; Hispanic modernism and insularity: translation and reception of the parnasse in Puerto Rico (19th c.)
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In: Anuari de filologia. Llengües i literatures modernes; 2017: Núm. 7; p. 1-18 (2017)
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Abstract:
La literatura del Parnasse francés participó como ninguna otra de la génesis del modernismo hispánico, y en este sentido el primer modernismo puertorriqueño no fue una excepción. Pese a la vigencia aún tardía del romanticismo, inseparable del contexto de insularidad y lucha por la Independencia, la recepción en la isla del parnasianismo supuso la adopción de una serie de modelos que incorporaron la literatura puertorriqueña al espíritu del Fin de Siglo. El presente artículo se ocupa de la traducción y recepción del Parnasse Contemporain durante el último tercio del siglo XIX, una época marcada aún por los cánones de un postromanticismo trasnochado y los primeros ensayos renovadores de autores como José de Jesús Domínguez, inspirados en los poetas parnasianos franceses como Gautier, Heredia o Leconte de Lisle. ; French Parnassian literature was the one that most contributed to the origins of Hispanic Modernism, being Puerto Rico Modernism no exception. In spite of the late presence of Romanticism, attached to the historic contexts of insularity and Independence, the reception of Parnassianism meant the adoption of a series of models that incorporated Puerto Rico literature to the Fin de siècle spirit. This article deals with the translation and reception of the Parnasse Contemporain during the last third of the 19th century. That time was marked by the standards of an outdated Postromanticism and the first refreshing essays of authors as José de Jesús Domínguez, that were inspired by French Parnassian poets such as Gautier, Heredia or Leconte de Liste.
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Keyword:
Hispanic Modernism; Fin de siècle; Poetry; Postromanticism; Parnassianism; Modernismo; Fin de Siglo; Poesía; Postromanticismo; Parnasianismo
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URL: http://www.raco.cat/index.php/AFLLM/article/view/332934
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| 10 |
Écrire en artistes des Goncourt à Proust
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In: https://hal.archives-ouvertes.fr/hal-01249776 ; Honoré Champion. Jan 2013, Nancy, France. Honoré Champion, 2016 ; honorechampion.com (2016)
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| 11 |
Tra le lingue, tra le culture : intorno al manoscritto italiano “Ville romane: in memoriam” di Vernon Lee
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M. Canani. - : LED edizioni universitarie di lettere economia diritto, 2016
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| 12 |
Особенности критической рецепции французской литературы в томской периодике конца XIX - начала XX В. (на материале «Сибирского вестника» и «Сибирской жизни»
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РОДЧЕНКО ЮЛИЯ ИГОРЕВНА. - : Федеральное государственное бюджетное образовательное учреждение высшего профессионального образования «Национальный исследовательский Томский государственный университет», 2015
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| 13 |
Pedagogy, prejudice, and pleasure: extramural instruction in English literature, 1885-1910
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| 16 |
Der literarische Geschlechterdiskurs am Ende des 19. Jahrhunderts : Frauenfiguren in ausgewählten Dramen Gerhart Hauptmanns
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Kutscheidt, Saskia. - : Universität Siegen, 2009. : Fachbereich 3, Sprach-, Literatur- und Medienwissenschaften, 2009
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| 17 |
La pantomime comme dispositif fin-de-siècle
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In: Discours, Image, Dispositif. Penser la représentation II ; https://halshs.archives-ouvertes.fr/halshs-00354484 ; Philippe Ortel. Discours, Image, Dispositif. Penser la représentation II, L'Harmattan, collection "Champs visuels", pp.161-173, 2008, 978-2-296-05643-5 ; https://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&no=26773&razSqlClone=1 (2008)
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| 18 |
La mala conciencia del éxito : apuntes sobre la Viena moderna y la estética de Theodor W. Adorno
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| 19 |
Portraits of the Artist: Gerhart Hauptmann's Kollege Crampton and Michael Kramer
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Corkhill, A.. - : Modern Humanities Research Association, 2007
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| 20 |
The Task of the Loving Translator: Translation, Völkerschauen, and Colonial Ambivalence in Peter Altenberg’s Ashantee (1897)
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In: Kim, David D. (2005). The Task of the Loving Translator: Translation, Völkerschauen, and Colonial Ambivalence in Peter Altenberg’s Ashantee (1897). TRANSIT, 2(1). Retrieved from: http://www.escholarship.org/uc/item/32w9t2j9 (2005)
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