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Lire « en corps ». Lecture et écriture symptomatique de l'odeur de sainteté (1868-1901)
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In: La partie et le tout : Partitions et (re)compositions des corps au XIXe siècle – Actes de la Journée d’études des Doctoriales de la SERD (2020) ; La partie et le tout : Partitions et (re)compositions des corps au XIXe siècle – Journée d’études des Doctoriales de la SERD (2020) ; https://hal.archives-ouvertes.fr/hal-03173369 ; La partie et le tout : Partitions et (re)compositions des corps au XIXe siècle – Journée d’études des Doctoriales de la SERD (2020), Sociétés des Etudes Romantiques et Dixneuvièmistes, Jan 2021, Paris, France ; https://serd.hypotheses.org/7687 (2021)
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The Hidden Fairy Tale: Oskar Kokoschka’s Die träumenden Knaben
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In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 20, Iss 1, Pp 29-43 (2021) (2021)
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Décadence, Dekadenz, Dekadens: an interdiscursive exploration of decadence in German and Scandinavian literature and culture at the fin de siècle
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Music as “Minor Literature”: Musical Syntax and Form in Gustav Mahler’s Lied von der Erde
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The Fin-de-Siècle 'Femme Fatale' and the God Pan
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In: Linguae &. Rivista di Lingue e Culture Moderne, Vol 16, Iss 2, Pp 29-44 (2018) (2018)
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Une formulation ancienne de la diglossie en arabe ? Luġat al-qawm vs luġat al-yawm d’Ibn Fāris (IVe/Xe siècle)
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In: Philologists in the World. A Festschrift in Honour of Gunvor Mejdell ; https://halshs.archives-ouvertes.fr/halshs-01676835 ; Nora S. Eggen & Rana Issa. Philologists in the World. A Festschrift in Honour of Gunvor Mejdell, The Institute for Comparative Research in Human Culture et Novus Forlag, pp.25-40, 2017 (2017)
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| 7 |
Le banquet de Rachilde
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In: Voix Plurielles; Vol 14 No 2 (2017); 92-102 ; Voix Plurielles; Vol. 14 No 2 (2017); 92-102 ; 1925-0614 (2017)
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Modernismo e insularidad: traducción y recepción del parnasse en Puerto Rico (siglo XIX) ; Hispanic modernism and insularity: translation and reception of the parnasse in Puerto Rico (19th c.)
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In: Anuari de filologia. Llengües i literatures modernes; 2017: Núm. 7; p. 1-18 (2017)
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| 10 |
Écrire en artistes des Goncourt à Proust
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In: https://hal.archives-ouvertes.fr/hal-01249776 ; Honoré Champion. Jan 2013, Nancy, France. Honoré Champion, 2016 ; honorechampion.com (2016)
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| 11 |
Tra le lingue, tra le culture : intorno al manoscritto italiano “Ville romane: in memoriam” di Vernon Lee
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M. Canani. - : LED edizioni universitarie di lettere economia diritto, 2016
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| 12 |
Особенности критической рецепции французской литературы в томской периодике конца XIX - начала XX В. (на материале «Сибирского вестника» и «Сибирской жизни»
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РОДЧЕНКО ЮЛИЯ ИГОРЕВНА. - : Федеральное государственное бюджетное образовательное учреждение высшего профессионального образования «Национальный исследовательский Томский государственный университет», 2015
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Abstract:
Исследуется критическое восприятие французской литературы в томской периодике конца XIX начала XX в., выраженное в переводных и оригинальных публикациях местных журналистов. Ведущими жанрами литературной критики, способствующими популяризации фран'цузской литературы среди томской аудитории, становятся обозрения и рецензии. В целом появление теоретически значимых публикаций на страницах местных газет свидетельствует о высоких темпах развития томской литературно-критической мысли. ; The article analyses the critical reception of French literature in the original and translated reviews published by Tomsk journalists in the local newspapers in the late 19th early 20th centuries. French literature as a synthesis of modern complex philosophical and aesthetic tendencies (decadence, symbolism, impressionism, naturalism) encourages critics to discuss and analyze these mainstream movements. The articles about French literature in Tomsk newspapers appear in different genres and rubrics. The leading genre of literary criticism is a review presented by its three main types -information, thematic, and feuilletonistic. The translation from an Italian sociologist G. Ferrero can serve as a model of the information review introducing foreign journalism to the local readers. The article was published in Sibirsky Vestnik (1893). It analyzed an urgent question of neurosis and pessimism that engulfed the European society in the late 19th century. Three publications in Sibirsky Vestnik (1893) provide an example of a thematic review. They introduce the reader to the works of the Symbolists such as P. Verlaine, S. Mallarme, J. Moreas, and A. Rimbaud. New trends in French literature are presented as a phenomenon directly determined by the changes in the public consciousness. The series of articles entitled "Literary essays" and published in Sibirskaya Zhizn (1910) can serve as an example of a feuilletonistic review. In these essays Tomsk journalist A.S. Kachorovskaya gives a professional analysis of the style and content of C. Baudelaire's poetry. The critical reception of French literature in Tomsk periodicals in the late 19th early 20th centuries focuses primarily on contemporary writers such as E. Zola, G. de Maupassant, A. France, A. Daudet, P. Bourget, and C. Baudelaire. The type of reception and critical interpretation of the modern trends in French literature is dialectical. In the 1890s Tomsk critics tend to deny the literature of fin de siecle exalted by the Symbolists, and in the 1910s, still denying the modernist art, local journalists start to perceive extensively the latest trends of French literature. In general, publication of the theoretically significant articles in local newspapers demonstrates high rate of development of Tomsk literary and critical thought in the late 19th -early 20 th centuries.
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Keyword:
ТОМСКАЯ ПЕРИОДИКА,КРИТИЧЕСКАЯ РЕЦЕПЦИЯ,ОБОЗРЕНИЕ,РЕЦЕНЗИЯ,"FIN DE SIECLE",СИМВОЛИЗМ,ДЕКАДАНС,TOMSK PERIODICALS,CRITICAL RECEPTION,REVIEW,FIN DE SIECLE,SYMBOLISM,DECADENCE
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URL: http://cyberleninka.ru/article_covers/16447894.png
http://cyberleninka.ru/article/n/osobennosti-kriticheskoy-retseptsii-frantsuzskoy-literatury-v-tomskoy-periodike-kontsa-xix-nachala-xx-v-na-materiale-sibirskogo-vestnika
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| 13 |
Pedagogy, prejudice, and pleasure: extramural instruction in English literature, 1885-1910
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Der literarische Geschlechterdiskurs am Ende des 19. Jahrhunderts : Frauenfiguren in ausgewählten Dramen Gerhart Hauptmanns
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Kutscheidt, Saskia. - : Universität Siegen, 2009. : Fachbereich 3, Sprach-, Literatur- und Medienwissenschaften, 2009
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| 17 |
La pantomime comme dispositif fin-de-siècle
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In: Discours, Image, Dispositif. Penser la représentation II ; https://halshs.archives-ouvertes.fr/halshs-00354484 ; Philippe Ortel. Discours, Image, Dispositif. Penser la représentation II, L'Harmattan, collection "Champs visuels", pp.161-173, 2008, 978-2-296-05643-5 ; https://www.editions-harmattan.fr/index.asp?navig=catalogue&obj=livre&no=26773&razSqlClone=1 (2008)
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| 18 |
La mala conciencia del éxito : apuntes sobre la Viena moderna y la estética de Theodor W. Adorno
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| 19 |
Portraits of the Artist: Gerhart Hauptmann's Kollege Crampton and Michael Kramer
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Corkhill, A.. - : Modern Humanities Research Association, 2007
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| 20 |
The Task of the Loving Translator: Translation, Völkerschauen, and Colonial Ambivalence in Peter Altenberg’s Ashantee (1897)
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In: Kim, David D. (2005). The Task of the Loving Translator: Translation, Völkerschauen, and Colonial Ambivalence in Peter Altenberg’s Ashantee (1897). TRANSIT, 2(1). Retrieved from: http://www.escholarship.org/uc/item/32w9t2j9 (2005)
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