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Italian Language in Exile in France in the First Half of the Nineteenth Century
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In: Italianness and Migration from the Risorgimento to the 1960s ; https://hal.archives-ouvertes.fr/hal-03626136 ; Italianness and Migration from the Risorgimento to the 1960s, Springer International Publishing, pp.133-142, 2022, ⟨10.1007/978-3-030-88964-7_11⟩ (2022)
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| 2 |
Legitimacy and legality in national identity construction ...
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Localizing Rural Acadian Identities: Social and Ethnic Reproduction in Pomquet, Nova Scotia
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The Liberation War of Bangladesh: Emergence of Nationalism in the Political Context ...
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| 6 |
The Liberation War of Bangladesh: Emergence of Nationalism in the Political Context ...
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| 7 |
Niemieckie zaniechania ; The German minority leadership's resignations from securing this monority's cultural and linguistic rights in postcommunist Poland
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| 8 |
Relational Communication Spaces: Infrastructures and Discursive Practices
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In: Media and Communication ; 9 ; 3 ; 28-39 ; Spaces, Places, and Geographies of Public Spheres (2022)
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| 9 |
High-Stakes Testing for Adibashi Students: Colonial Approaches to Education for Indigenous Communities of Bangladesh
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| 10 |
The Rainbow Nation Vision: (Re)constructing & (Re)imagining South Africanness
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In: Capstone Showcase (2021)
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| 11 |
Vers l'est, Magyar ! Histoire du touranisme hongrois
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In: https://hal.archives-ouvertes.fr/hal-03437787 ; ehess éditions, 7, 2021, ehess translations, 978-2-7132-2896-4 (2021)
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| 13 |
Why are political communities so often aligned on linguistic boundaries? A pilot study. ...
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| 14 |
Why are political communities so often aligned on linguistic boundaries? A transaction costs approach of nationalism and ethnicity ...
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| 15 |
From barbarism to decadence without the intervening civilization: or, living in the aftermath of anticipated futures ...
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| 16 |
L’institutionnalisation par délégation et la relégation de l’institutionnalisation : Cas de l’enseignement public du néerlandais et du flamand occidental dans le département du Nord
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| 17 |
UNDERSTANDING RUSSLANDDEUTSCHE IDENTITY AND ITS IMPLICATIONS
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| 18 |
Literatura entre lenguas ; Literature between languageslinguistic conflict in el amante bilingue by Juan Marsé ; El conflicto lingüístico en el amante bilingüe de Juan Marsé
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| 19 |
Multi-Text Anthology in the Choral Music of Ralph Vaughan Williams, Herbert Howells, Grace Williams, and Elizabeth Maconchy, 1919–1979
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Abstract:
Dissertation ; This dissertation critically examines the ways in which British composers wrote large choral works for festival audiences combining liturgical and sacred texts with poetry to expand multi-text meanings beyond a strictly religious sphere. Processes of anthologizing are considered in the present study as a textual and poetic practice in music by Vaughan Williams, and a later generation of British composers. Analyzing the use of multiple text sources in choral music with orchestral accompaniment, this dissertation addresses the moral, gender, and nationalistic values that composers inscribed in sacred compositions, expanding the traditional understanding of the liturgical and biblical texts. Analytic readings will focus on textual and musical choices used by these composers, and on readings of the texts themselves. This is an analysis of a twentieth-century genre of sacred choral music in Britain emphasizing wider themes in the culture—nationalism, grief, Welsh linguistic history, and feminism—as they interact with religious and liturgical tradition. The text sources in these works draw from multiple languages, time periods, and textual genres. For example, Ralph Vaughan Williams’s Dona nobis pacem (1936) combines Walt Whitman poetry from Leaves of Grass with liturgical and biblical texts to create an anti-war message. Herbert Howells’s Hymnus Paradisi (1950) expands the liturgy of the Requiem Mass to include sacred texts to mourn the death of his son, Grace Williams adds Welsh texts to her Missa Cambrensis (1971) to represent the strength of the Welsh language during a linguistic movement in Wales. Finally, Elizabeth Maconchy proposes feminist perspective in the libretto of her dramatic cantata, Héloïse and Abelard (1979), using liturgical texts and sacred hymns to situate the medieval love story in the setting of the cloister at Notre Dame. In analyzing these works, I reveal a pattern of choral composition responding to the religious interests of the Church of England, while acknowledging the secularizing forces in British culture. Through their music, these composers spoke directly to their audiences, while imbuing traditional sacred forms with identifiably modern cultural attitudes and concerns.
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Keyword:
Anthology; Britain; Language; Music; Music history; Nationalism; Religion
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URL: https://hdl.handle.net/10161/23011
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| 20 |
Fás an Chraoibhín
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In: Studies in Arts and Humanities ; 4 ; 1 ; 73-79 (2021)
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