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Review Essay: Harvey Sacks (wieder-)entdecken: Methodologie, Materialien und Inspirationen ; Review Essay: (Re)Discovering Harvey Sacks: Methodology, Materials, and Inspirations
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In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research; Bd. 23 Nr. 1 (2022) ; Forum Qualitative Sozialforschung / Forum: Qualitative Social Research; Vol. 23 No. 1 (2022) ; Forum Qualitative Sozialforschung / Forum: Qualitative Social Research; Vol. 23 Núm. 1 (2022) ; 1438-5627 (2022)
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Review Essay: Harvey Sacks (wieder-)entdecken: Methodologie, Materialien und Inspirationen
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In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 23 ; 1 ; Smith, Robin James ; Fitzgerald, Richard ; Housley, William ; 2020 ; On Sacks: Methodology, Materials, and Inspirations ; London ; Routledge ; 978-0-429-02484-9 (2022)
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Cardiopulmonary Resuscitation (CPR): Collaboration in Medical Team Work
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Erzählen inszenieren: : Ein Theatermonolog als multimodale Leistung des Interaktionsensembles auf der Probebühne
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In: Linguistik Online; Bd. 104 Nr. 4 (2020): Multimodales Erzählen; 59-81 ; Linguistik Online; Vol. 104 No. 4 (2020): Multimodales Erzählen; 59-81 ; 1615-3014 (2020)
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Abstract:
Narrating is a crucial activity in theatre rehearsals. Through this activity, narratives are performed, expanded, reinterpreted, or even completely improvised. The communicative practices used by theatre professionals to develop a play as a theatrical narrative have rarely been researched, both in linguistics and theatre studies. Therefore, this paper addresses how actors, directors, and other members of a theatre production collectively develop monologues as self-contained narratives within a play. The research focuses on how narrators and listeners, as an interactional ensemble, use multimodal actions to realize such monologues. Surprisingly, the co-narrators don’t appear to imagine their future audience but construct the narrations in situ with and for the present members. This observation especially becomes evident when mobile eye-tracking glasses measure the co-narrators’ gaze behavior. It shows that members of a theatre rehearsal perform different activities (e. g., improvising, reading, prompting, instructing, discussing, monitoring) with regard to local interactional requirements. This paper illustrates the procedures with which theatre-makers produce monologues as multimodal narratives and highlights the differences that distinguish such narratives in theatre from spontaneous everyday storytellings.
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URL: https://bop.unibe.ch/linguistik-online/article/view/7303 https://doi.org/10.13092/lo.104.7303
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Review: Charles Goodwin (2018). Co-Operative Action
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In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research; Vol. 20 No. 1 (2019) ; Forum Qualitative Sozialforschung / Forum: Qualitative Social Research; Vol. 20 Núm. 1 (2019) ; Forum Qualitative Sozialforschung / Forum: Qualitative Social Research; Bd. 20 Nr. 1 (2019) ; 1438-5627 (2019)
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Review: Charles Goodwin (2018). Co-Operative Action
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In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 20 ; 1 ; 7 ; Goodwin, Charles ; 2018 ; Co-operative action ; Cambridge ; Cambridge University Press ; 978-0-521-86633-0 (2019)
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Gleichzeitigkeit in der Interaktion : strukturelle (In)Kompatibilität bei Multiaktivitäten in Theaterproben
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IDS Mannheim
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Instruktionen in Theater- und Orchesterproben. Zur Einleitung in dieses Themenheft [Online resource]
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IDS-Repository
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Zwischenfazit: Sukzessive und simultane Verzahnung von Spiel- und Besprechungsaktivitäten – eine Instruktionsmatrix für Proben [Online resource]
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IDS-Repository
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