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Listening in the moment: how bilingualism interacts with task demands to shape active listening
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The Multidimensional Battery of Prosody Perception (MBOPP)
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In: Wellcome Open Res (2021)
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Domain-general auditory processing determines success in second language pronunciation learning in adulthood: a longitudinal study
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A longitudinal investigation of explicit and implicit auditory processing in L2 Segmental and Suprasegmental Acquisition
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Altered functional connectivity during speech perception in Congenital Amusia
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Domain-general auditory processing partially explains second language speech learning in classroom settings: a review and generalization study
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Effects of language experience on domain-general perceptual strategies
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Domain-general auditory processing explains multiple dimensions of L2 acquisition in adulthood
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Altered functional connectivity during speech perception in congenital amusia ...
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Domain-General Auditory Processing Explains Multiple Dimensions of L2 Acquisition in Adulthood
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Altered functional connectivity during speech perception in congenital amusia
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In: eLife (2020)
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Tailored perception: individuals’ speech and music perception strategies fit their perceptual abilities
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Speech-in-speech perception, non-verbal selective attention, and musical training
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Successful second language learning is tied to robust domain-general auditory processing and stable neural representation of sound
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Tailored Perception: Individuals’ Speech and Music Perception Strategies Fit Their Perceptual Abilities
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Abstract:
Perception involves integration of multiple dimensions that often serve overlapping, redundant functions, for example, pitch, duration, and amplitude in speech. Individuals tend to prioritize these dimensions differently (stable, individualized perceptual strategies), but the reason for this has remained unclear. Here we show that perceptual strategies relate to perceptual abilities. In a speech cue weighting experiment (trial N = 990), we first demonstrate that individuals with a severe deficit for pitch perception (congenital amusics; N = 11) categorize linguistic stimuli similarly to controls (N = 11) when the main distinguishing cue is duration, which they perceive normally. In contrast, in a prosodic task where pitch cues are the main distinguishing factor, we show that amusics place less importance on pitch and instead rely more on duration cues—even when pitch differences in the stimuli are large enough for amusics to discern. In a second experiment testing musical and prosodic phrase interpretation (N = 16 amusics; 15 controls), we found that relying on duration allowed amusics to overcome their pitch deficits to perceive speech and music successfully. We conclude that auditory signals, because of their redundant nature, are robust to impairments for specific dimensions, and that optimal speech and music perception strategies depend not only on invariant acoustic dimensions (the physical signal), but on perceptual dimensions whose precision varies across individuals. Computational models of speech perception (indeed, all types of perception involving redundant cues e.g., vision and touch) should therefore aim to account for the precision of perceptual dimensions and characterize individuals as well as groups.
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Keyword:
Articles
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URL: http://www.ncbi.nlm.nih.gov/pubmed/31589067 http://www.ncbi.nlm.nih.gov/pmc/articles/PMC7133494/ https://doi.org/10.1037/xge0000688
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Redundancy in the speech signal helps amusics perceive prosody
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Repetition enhances the musicality of speech and tone stimuli to similar degrees
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