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Palabras de Mujer: Convergencias en el Discurso Femenino en la Narrativa Caribeña de Origen Hispano Escrita en los Estados Unidos
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Barcelona Como Frontera Lingüística, Sexual, Espacial y Cultural: La Novela Española a las Puertas del Siglo XXI
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3
Mujer, Nacion y Progreso en el Discurso del Exilio de Clorinda Matto de Turner y Juana Manuela Gorriti
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4
The Use of Computerized Pronunciation Practice in the Reduction of Foreign Language Classroom Anxiety
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5
Unlocking the Voices of Child Soldiers in Sub-Saharan African Novels, Films and Autobiographies
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6
The Effect of Input-Based Instruction Type on the Acquisition of Spanish Accusative Clitcs
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7
Issues of Identity in the Narratives of Jewish Authors from the Southern-Cone: Argentina, Brazil and Uruguay
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8
From Cutting Cane to Planting Seeds: Race, Gender, and Identity in Caribbean Women's Fiction
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9
Écritures Féminines et Guerres Civiles en Algérie et au Liban
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10
Forja de una Identidad Nacional Amalgamada: El Europeo y el Colombiano en la Literatura Venezolana Contemporánea
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11
Between Us There Is Bread and Salt: Food in the Novels of Edwidge Danticat, Gisele Pineau, and Lakshmi Persaud
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12
Estrategias de Rebelión: "Defamiliarización" de la Nación, la Historia, el Idioma, y la Identidad en la Literatura Chicana/o
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13
Que soy de Aquí, Que soy de Alla: Conciencia Nómada y (Re)Construcción Cultural de la Nacionalidad en la Narrativa y el Teatro Hispano Escrito en los Estados Unidos
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14
"Doulce Chose Est Que Mariage": Exemplarity and Advice in the Works of Christine De Pizan
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15
May Ayim: A Woman in the Margin of German Society
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16
The Malgré-Elles of Moselle
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17
The Effects of Input and Interaction on the Acquisition of French Reflexive Verbs within the Second Language University Classroom
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18
Maternidad, Religión y Sexualidad en la Narrativa Moderna de Cuba y España
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19
Pessimism, Religion, and the Individual in History: The Meaning of Life According to Lev Tolstoy and Émile Zola
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20
"Je Vis dans un Être Double" a Theory of Doubling in Charlotte Delbo's Texts
Abstract: Most of the research on Charlotte Delbo has remained within the realm of Holocaust studies, and her writing, in particular, has been seen as a means of witnessing and preserving memory. Labeled solely as a "Holocaust survivor" and subsequently overshadowed by male writers of the Holocaust, Charlotte Delbo has not been adequately read and appreciated as a writer of the 20th century. Although her experiences in Auschwitz are one of the main subjects of her writing, I do not focus explicitly on her experiences, but rather on the methods and literary devices that Delbo uses to (re)construct and articulate these experiences. Delbo breaks the traditional template that labels her as a survivor by using a combination of two or more literary genres, known in general as generic hybridity, to create a unique literary form that captures her struggles with the social and cultural demands of post-World War II France. My dissertation will attempt to convey salient aspects of this unique literary form which I will call doubling. In this study, I investigate the various ways that identity, narrative settings, literary characters, time frames, and narrative forms are doubled. Doubling, I believe, is a result of Delbo's gendered experience in the camps and in France after the war. Not only do we witness the experience of Delbo trying to maintain a unified self in the camps as the Nazis relentlessly strip away her humanity, but we also follow Delbo's experiences of trying to understand her own duality as she resettles back in France- homeless, jobless, and a widow. As a woman, writing about women, in a women's camp, Charlotte Delbo gives us a unique perspective, not yet explored, of what is was like for her and the 230 women in her convoy to experience, and for a few- to survive Auschwitz. ; A Dissertation Submitted to the Department of Modern Languages and Linguistics in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy. ; Spring Semester, 2011. ; February 11, 2011. ; French Literature, Holocaust studies, Women's Writing, Charlotte Delbo ; Includes bibliographical references. ; William J. Cloonan, Professor Directing Dissertation; Laurel Fulkerson, University Representative; Aimée Boutin, Committee Member; James Tarpley, Committee Member; Reinier Leushuis, Committee Member.
Keyword: Languages; Linguistics; Modern
URL: http://diginole.lib.fsu.edu/islandora/object/fsu%3A180590/datastream/TN/view/%22Je%20Vis%20dans%20un%20%C3%8Atre%20Double%22%20a%20Theory%20of%20Doubling%20in%20Charlotte%20Delbo%27s%20Texts.jpg
http://purl.flvc.org/fsu/fd/FSU_migr_etd-2383
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