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Comunicación no verbal: La banda sonora de Arroz y Tartana
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In: Scholarship and Professional Work - LAS (2015)
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Un análisis funcional y descriptivo de los marcadores pragmáticos y su traducción como herramienta en la construcción del diálogo ficticio : estudio contrastivo alemán-catalán-español en base a tres novelas de Hans Fallada
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BLLDB
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UB Frankfurt Linguistik
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Al verte las flores lloran: An Exploration of the Poetry in Flamenco
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In: Senior Projects Spring 2015 (2015)
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6 |
Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914)
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In: Lopez, Ricardo. (2015). Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914). UC Berkeley: Romance Languages & Literatures (Spanish). Retrieved from: http://www.escholarship.org/uc/item/9fq222km (2015)
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Refashioning the Sociopolitical in Spanish Modernist Literature (1902-1914)
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Popular Andalusi Literature and Castilian Fiction: Ziyad Ibn ‘Amir Al-Kinani, 101 Nights, and Caballero Zifar ...
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El neutro de materia en castellano: ¿concordancia «anómala» o rección? ...
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Agreement on the left edge: the syntax of left dislocation in Spanish ...
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Beas, Omar. - : University of Southern California Digital Library (USC.DL), 2015
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Defining the Modeling Standard for 3D Character Artists
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In: Undergraduate Honors Theses (2015)
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13 |
Do Stress Levels Differ Between First Semester Nursing Student Early in The Semester Vs. The End of The Semester?
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In: Undergraduate Honors Theses (2015)
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Inadequate Translations: Spanish/English Discrepancies in the Translated Sonnets of Garcilaso de la Vega
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In: Undergraduate Honors Theses (2015)
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Abstract:
The intimate relationship one develops with his or her native language is an experience which cannot be replicated through any amount of education. Diction, vocabulary, intonation and the connotations which accompany the many facets of language all develop along with us as we progress through life's experiences. Because of this deeply ingrained personal understanding, each individual's perspective towards a work of art, namely poetry, is completely unique to his or her experiences with the language in which it is written. Therefore, no amount of diligent translation can make a poem inhabit the same sentiment and effect in any language other than the one it was originally written in. This phenomenon will be explained in terms of several sonnets written by Garcilaso de la Vega. While the sonnets were originally written in Spanish, several translations into English will be explored in order to express the downfalls and limitations inherent in poetic translation.
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Keyword:
Adaptation; Garcilaso de la Vega; Interpretation; Sonnets; Spanish; Spanish Linguistics; Spanish Literature; Translation; Translation Studies
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URL: https://dc.etsu.edu/honors/301 https://dc.etsu.edu/cgi/viewcontent.cgi?article=1322&context=honors
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15 |
A Tres Pasos de La Muerte
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In: First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience (2015)
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Professor Christina Isabelli
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In: Hispanic Studies Images (2015)
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The Element of Time in Spanish Sci-Fi and Fantasy Film
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2015)
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Creative Analytical Practice Ethnography as Assessment: Community Service Learning (CSL) and Languages for Specific Purposes (LSP) Combined
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2015)
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Looking at Life through Mirrors and Windows: Ana Maria Matute's Demonios familiares
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2015)
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The Benefits of Voice Familiarity in Listening Activities
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In: South East Coastal Conference on Languages & Literatures (SECCLL) (2015)
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