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1
Dynamics of morphological productivity : the evolution of noun classes from Latin to Italian
Gardani, Francesco. - Leiden [u.a.] : Brill, 2013
MPI-SHH Linguistik
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2
Slovʹjansʹka, hermansʹka ta romansʹka leksyka nevidomoho pochodžennja v konteksti kontaktolohičnoï peredistoriï mov ëvropejsʹkoho arealu
BLLDB
UB Frankfurt Linguistik
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3
When Synchrony Meets Diachrony: (Alveolo)Palatal Sound Patterns in Spanish and other Romance Languages
In: http://rave.ohiolink.edu/etdc/view?acc_num=osu1366281993 (2013)
BASE
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4
Poetologie und Nation:Die politische Reflexion Joachim Du Bellays in der Deffence et Illustration de la Langue Françoyse
Roeder, J. (Julia). - 2013
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5
El gènere en les llengües romàniques: quan el gènere expressa el nombre i el femení és neutre = Gender in Romance: When Gender Expresses Number and the Feminine is Neuter
Lamuela, Xavier. - : Publicacions de l'Abadia de Montserrat, 2013
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6
El gènere en les llengües romàniques: quan el gènere expressa el nombre i el femení és neutre = Gender in Romance: When Gender Expresses Number and the Feminine is Neuter
Lamuela, Xavier. - : Publicacions de l'Abadia de Montserrat, 2013
BASE
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7
Influência interlinguística no processo de escrita em português LE-adicional
Da Silva, Antonio Marcio; Rottava, Lucia. - : Pontes Editores, 2013
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8
The Linguistic Geography of the French of Northern France: do we have the basic data?
Hall, Damien J.. - : Wiley-Blackwell, 2013
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9
Stages of History: Performing 1970s Italy with Narrative Theater.
Abstract: Emerging from the unrest of the 1970s in Italy, a minimalist one-person performance genre, later known as Narrative Theater, shifts the focus from dominant national allegories to the experiences of individuals and what they can reveal about society at large. Through a combination of research, ethnography and storytelling, narrators such as Ascanio Celestini, Laura Curino, and Marco Paolini resuscitate the local, shedding light on unknown and underrepresented narratives in Italian history. With these techniques the genre not only supports the subaltern perspectives of factory workers, for example, but also dialectically layers private and public memory to construct a more comprehensive and collective history. I begin my analysis of the genre with a genealogical account of its historical and theatrical influences. Following this is an examination of the role of the narrator (chapter two), orality and language (chapter three), the importance of space both in terms of stage and geographic territory (chapter four) and, finally, the migration of Narrative Theater into contemporary visual media (chapter five). The project deploys historical, critical, and performative methods to examine the cultural environment in which this type of theater developed. The historical lens is crucial not only because of the varied connections between the 1970s and Narrative Theater, but also historiographically for how it uncovers the ways in which narrators developed rigorous strategies for performing history in their plays. Specifically, the founders of the genre intertwined microhistory as conceived by Carlo Ginzburg and Giovanni Levi with oral history in light of the works of Luisa Passerini and Alessandro Portelli. In addition to a more traditional dramaturgical examination, I draw on performance studies to analyze the extra-textual dimensions of narrative practice. Erving Goffman’s concept of social dramaturgy, along with Victor Turner’s notions of community, are particularly helpful in negotiating Narrative Theater’s efforts to both counterpoise and interrelate individual experience within the broader socio-political context. Ultimately, Narrative Theater fuses the practice of microhistory with a political consciousness derived from the social conflicts of the 1970s to produce an innovative style of community-theater that serves as a form of historical recuperation. ; PHD ; Romance Language and Literature Italian ; University of Michigan, Horace H. Rackham School of Graduate Studies ; http://deepblue.lib.umich.edu/bitstream/2027.42/99883/1/jfguzz_1.pdf
Keyword: Arts; Humanities; Italian Theater and Performance; Narrative Theater; Romance Languages and Literature; Theater and Orality; Theater on Television; Theatre and Drama
URL: https://hdl.handle.net/2027.42/99883
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10
La position du français dans l’Université de Yarmouk: enjeux d’évaluation pour la formation des adultes en Jordanie
Al-Muhaissen; Batoul; Zollna. - : Philipps-Universität Marburg, 2013. : Romanische Philologie, 2013
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11
El gènere en les llengües romàniques: quan el gènere expressa el nombre i el femení és neutre = Gender in Romance: When Gender Expresses Number and the Feminine is Neuter
In: © Caplletra: revista internacional de filologia, 2013, vol. 54, p. 179-212 ; Articles publicats (D-FLC) (2013)
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12
The Phonological Permeability Hypothesis
Cabrelli Amaro, Jennifer L. - : University of Florida, 2013. : University of Florida ( [Gainesville, Fla.] ), 2013
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13
The Phonological Permeability Hypothesis
Cabrelli Amaro, Jennifer L. - : University of Florida, 2013. : University of Florida ( [Gainesville, Fla.] ), 2013
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14
Agreement Reflexes of Emerging Optionality in Heritage Speaker Spanish
Pascual Cabo, Diego. - : University of Florida, 2013. : University of Florida ( [Gainesville, Fla.] ), 2013
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15
Agreement Reflexes of Emerging Optionality in Heritage Speaker Spanish
Pascual Cabo, Diego. - : University of Florida, 2013. : University of Florida ( [Gainesville, Fla.] ), 2013
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16
Actitudes sociolingüísticas hacia el español de estudiantes de Hispanística en Serbia
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17
Building Foreign Language Collections for the Communities We Serve
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18
Building Foreign Language Collections for the Communities We Serve
Bennett, Mary; Johnston, Lindsay; Lacroix, Denis. - : University of Alberta, 2013
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19
Vita Christi autobiografisch
In: Strässle, Thomas. Vita Christi autobiografisch. In: NZZ, 4 May 2013, p.63. (2013)
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20
De la pertinente impertinence des intellectuels: Valéry et l’Affaire Dreyfus
In: Fröhlicher, P (2013). De la pertinente impertinence des intellectuels: Valéry et l’Affaire Dreyfus. Actes sémiotiques, (116):1-6. (2013)
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