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Taula redona: La vehiculació de la romanística a través de les revistes
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In: Glessgen, M D; Roques, G; Holtus, G; Veny, J; García Mouton, P; Varvaro, A; Trotter, D (2013). Taula redona: La vehiculació de la romanística a través de les revistes. In: Casanova Herrero, E; Calvo Rigual, C. Actas del XXVI Congreso Internacional de Lingüística y de Filología Románicas, 6–11 septiembre 2010, Valencia. Berlin: De Gruyter, 101-122. (2013)
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Evviva il fesso!
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In: La Fauci, Nunzio. Evviva il fesso! In: Doppiozero, 28 March 2013, p.online. (2013)
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La tradition textuelle de la Continuation du ‘Roman de Guiron’
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In: Veneziale, Marco (2013). La tradition textuelle de la Continuation du ‘Roman de Guiron’. In: La tradition textuelle de la Continuation du ‘Roman de Guiron’, Nancy, 15 July 2013 - 20 July 2013, 299-308. (2013)
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IL "SICULO-ARABIC" E GLI ARABISMI MEDIEVALI E MODERNI DI SICLIA
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65 |
The translator as cultural mediator in research publication
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66 |
Comprendre la concordance des temps et son évolution comme un phénomène de déflexivité
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67 |
Die Leiden des jungen Werthers à luz da história do conceito de subjetividade
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In: Pandaemonium Germanicum: Revista de Estudos Germanísticos, Vol 16, Iss 21, Pp 79-110 (2013) (2013)
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Le roumain : une langue « sans concordance des temps » ?
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In: Langages, N 191, 3, 2013-09-26, pp.53-66 (2013)
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Nouns in apposition : Portuguese data
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In: Linguística : Revista de Estudos Linguísticos da Universidade do Porto, Vol 8, Pp 17-38 (2013) (2013)
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Abstract:
The nature of N1N2 constructions, or nouns in apposition, is controversial: depending on the theoretical framework, they can be considered as compounds or as syntactic constructions. Indeed, nouns in apposition function as a hybrid category, in a double way: (i) the same lexical structure in apposition is viewed either as a coordinative construction, as a subordinative or as an attributive construction. (ii) N2 functions as a modifier or as an attributive item of N1; in Portuguese, when plural is syntactically mandatory, N1 (the head) is systematically pluralized; N2 either rejects inflection or behaves as a predicator, allowing inflectional marks. We claim that Romance NN behave as a specific type of compounds. This assumption is grounded on their behaviour by contrast with phrasal properties. Portuguese compounds are characterized by a narrow relationship between internal structure, headness and inflectional patterns. In Portuguese, by default, the head of compound is inflected. NN related by an attributive semantic link are nowadays particularly unstable and problematic regarding inflection. Inflectional variation — widely attested — helps in determining the status of NN in apposition: as two inflectional patterns are available, we must verify if they correspond to two different constructions or to one structure with two readings. The analysis addressed is supported by empirical data of contemporary Portuguese language extracted from Brazilian and European databases, and requires the theoretical articulation of a double predicative class of N2 (holistic and partitive) with inflectional fluctuation of attributive N2 in the second situation: performing a continuum, double inflection is close to holistic predication and single inflection (of N1) is close to partitive predication; systematic double inflection is close to coordination and inflectional oscillation is close to attribution. The predicative power of nouns in apposition supports their partitive and their holistic reading. Inflectional fluctuation of N2 illustrate in an optimistic way their hybrid nature
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Keyword:
apposition; composition; Language. Linguistic theory. Comparative grammar; lexicon; morphology; P101-410; Portuguese Language; Romance Languages
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URL: https://doaj.org/article/2791af801e93424c83497a3c6c36d9b6
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Dialect change and variation: the Atlas Lingüístico de la Península Ibérica ; Cambio e variación dialectal: o atlas lingüístico de la península ibérica
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In: Dialectologia: revista electrònica; 2012: Special Issue III; 189-207 (2013)
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Bilingual competence, complementizer selection and mood in Cimbrian
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